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...many, but one of the most important is that after the heyday of Abstract Expressionism, advanced painting had moved down ever more restricted avenues, into Color Field pictures made by pouring paint directly onto canvas or Minimalist canvases of one color. By the early 1960s, the supremely influential critic Clement Greenberg was ordaining that painting had a historic destiny that could be realized only in work in which distinct form and deep space gave way to flat, thin washes of color. Some very good art would meet that description, by Barnett Newman, Helen Frankenthaler, Morris Louis...

Author: /time Magazine | Title: Elizabeth Murray: Bringing Painting Back to Life | 8/14/2007 | See Source »

Whatever his motives, at least one critic of so-called “double-dipping,” city council candidate Sam Seidel, praised Sullivan for giving...

Author: By Paras D. Bhayani, CRIMSON STAFF WRITER | Title: Competitive Council Race Begins To Take Shape | 8/10/2007 | See Source »

...graduate of the Architectural Association School of Architecture, Mostafavi also studied at the University of Essex and the University of Cambridge during the 1970s and 1980s. He was a design critic at Cambridge as well as a visiting professor at the Frankfurt Academy of Arts...

Author: By Crimson News Staff | Title: Cornell Dean To Lead Harvard's Design School | 8/10/2007 | See Source »

...shadows over home run records, and McFarlane was riding the memorabilia market down. But it doesn't seem so crazy now that McFarlane Toys is the official distributor of action figures for all four major American sports. McFarlane also has individual deals with Bonds as well as outspoken Bonds critic Curt Schilling of the Boston Red Sox. And he credits his baseball collection with opening the doors that helped him land those deals...

Author: /time Magazine | Title: The Man With the Million Dollar Balls | 8/8/2007 | See Source »

...that revolution was ancillary. (So was the Blowup rave-up performed by the Yardbirds, including the young Jimmy Page and Jeff Beck.) Artistically, Antonioni was after bigger game, and bagged it. As critic Adriano Apra says on the Criterion edition of Eclipse: "In film each auteur gives us his distinctive perception of the world. Antonioni goes beyond that. He always invents a world of his own." Apra means that literally, especially regarding the director's first two color features...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

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