Word: critics
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Dates: during 1940-1949
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...didn't-she" aspect, which TIME'S critic asserts is a Hollywood "improvement" and weakens the picture, is actually the dominant element upon which the original story ends...
...also the soloist in the premiere of the Variations for Piano and Orchestra by Nicholas Van Slyck 1G, the work which dominated the second half of the program. The Crimson's critic states frankly that he is not enough of a musician to analyze the competition after one hearing; but it should be observed that it was at all times interesting, not to any noticeable extent derivative, and in the best modern tradition of piano-orchestra color. Van Slyck rose to the enthusiastic applause of the audience at the end of his prize-winning work's performance...
Robert Davis, professor of English at Smith College and a former instructor here, will deliver the sixth and last in the series of lectures on the works of E. M. Forster tomorrow. He will speak on "Forster as a Critic" in the Kirkland House Common Room at 7:30 o'clock...
Said the late Irish Critic Ernest Boyd: Bloy was "an abusive, ungrateful parasite, a past master of vituperation...
...Present. Now the U.S. would have to decide how it felt about her. Manhattan's Metropolitan Opera Association nervously sniffed the wind before making up its mind whether to ask its old star back. The New York Sun's critic Irving Kolodin thought it should not. To him, it was all right for Flagstad to hire a hall where the public could buy tickets or stay away; it was something else for her to sing at the Met, where the public buys season tickets months in advance, and has to accept whatever singers the management offers. Added Kolodin...