Word: critics
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Dates: during 1970-1979
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...sixth time in 20 years, the dramatis personae at the New York Times theater department are being shuffled. Come September the curtain will fall on Richard Eder, 46, who in his two years as chief drama critic managed to pan several of Broadway's biggest hits, including Dracula, Deathtrap and Dancin'. His replacement is the paper's Sunday theater scribe Walter Kerr, 66, who joined the Times in 1966 after 15 years at the Herald Tribune, and is the only drama reviewer ever to win a Pulitzer Prize for criticism (1978). As head of the newly combined...
...Look, the Saturday Evening Post and LIFE, for which he did more covers (101) than any other photographer. Three of his portraits-of Albert Einstein, John Steinbeck and Adlai Stevenson-appeared on postage stamps. These and others of John Kennedy and Winston Churchill are so indelible that one critic noted, "The chances are, when we see [these figures] in our mind's eye, we are seeing the Halsman image...
Back in the Radcliffe gym, Christine Temin, faculty director of dance activities at Wellesley College and a dance critic for the Boston Globe, leads a class in beginning ballet. Faces flicker from frustration to intense concentration, to joy at a move executed a little better than before. Eagerness and optimism pervades: "Don't watch the floor," says Temin. "You can convince me that, even if you're wrong, you're right--if you don't watch the floor." Even before the class ends, students for the next class come in to warm up. One remarks "bodies everywhere...
Downstairs Pamela C.R. Jones, a percussionist with the Jerusalem Symphony, teaches a course on "Music for Dancers." Across campus in Memorial Hall, Leon Collins, the great '40s tap dancer, leads students in the study of his art. And Iris M. Fangar, a dance critic and director of the Harvard Summer Dance Center teaches two courses, "Writing for Dance," and "Dance History." And this is just a sampling of the variety the Harvard Summer Dance Program has to offer...
...RECENT edition of the New York Times Book Review, a critic arguing for the persistence of decadence in modern society chose David Bowie as one of his prime examples. That seems both gratuitous and unfair, as though Bowie's sheen of bisexuality and world-weariness alone could spell the decay of an entire civilization. And whatever objections you may have to Bowie's recent music, no one could call it worn-out or impotent...