Word: critics
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...finest of gentlemen and the finest of ladies; / They'd rather be down below than up above - / Hades is full of thousands of / Joneses and Browns, O'Houlihans, Cohens and Bradys." Whether familiar or not, Stairway to Paradise has plenty to appeal to John Q. Public and John Q. Critic alike...
...show that gathers its material from 50 years of Broadway revues is open to debates about what was left out. And since the Q. in Critic is for Quibble, here are a few. Berlin, with those six (terrific) songs, and Harold Rome, with three (lesser) ones, might be overrepresented in a show meant to be panoramic. The two sketches are amusing, and give the stars a chance to mewl and mug becomingly; but, from the same book (The Greatest Revue Sketches) that Viertel & Co. dipped into, I'd have chosen George S. Kaufman's brief, devastating "If Men Played Cards...
...Plausibility isn't the biggest challenge for the comic-book-movie fan base. Sentimentality is. An Ain't It Cool News review, supposedly written by the mother of a friend of AICN critic Moriarty, tosses Spidey 3 into the sar-chasm by informing us that "There's only about 25 minutes of actual Spidey footage in this movie - which makes all kinds of room for: That darling Mary Jane singing (two songs!). Peter Parker crying. Harry [Osborn] crying.... The Sandman crying. Eddie Brock crying. Mary Jane crying. Aunt May crying.... And yes, I might as well tell you, there...
...island of tolerance and freedom for newcomers, and detractors claim that Meadows' focus on an unpopular war - the film is inter-spliced with Falklands' footage - together with anti-immigrant racism lends undue emphasis to the seamier side of the country's recent past. A Sunday Times review by critic Cosmo Landesman dismissed the film's portrayal of 1980s (predominantly) white-working class as "unconvincing," railing against a "fatuous" attempt to link the war in the Falklands with the one that Combo wants to fight back in England...
...Payne Hall until his pants became wet. “The stress and anxiety that students feel are actually inoculating them for later in life,” Adams says, recalling his hectic college days. As an undergraduate, Adams was far from immune to bad reviews, with one Crimson critic writing in 1967, “The Bach Society Orchestra concert was the major disappointment of last week’s musical offerings. Many heads could roll when a collective effort like this goes awry, but the conductor, John Adams is the one who must stand in the dock...