Word: critics
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...range, expert intonation, a sensitive feeling for the lyrics and enough dynamic variety to preclude the danger of overkill." A concert by Barbra Streisand? How about Pia Zadora? Yes, Pia Zadora, who confesses that she went out and bought five copies of the rave by Los Angeles Times Critic Leonard Feather, "hoping they wouldn't print a retraction." They didn't, and in the ensuing three months Zadora's U.S. concert tour has radically improved her image: cinema's laughingstock has suddenly blossomed into a serious singer of such pop classics as It Had to Be You, Maybe This Time...
...traditional measure of a superior play is that it can sustain widely varying interpretations. Benefactors meets that test. Nearly every critic has lavished praise on the work; each has found his own version of the script's meaning. Some saw it as portraying the death of liberalism, others as a comment on the unworkability of democracy. In London, it was widely viewed as a social satire about the professional classes: its self-deluding hero, an architect planning high-rise public housing, seeks to tear down as unlivable a neighborhood of row houses very much like his own. The play...
...that little will change, especially in foreign affairs. "It has been the Swedish attitude that it is not only up to the superpowers to decide about the future of the world," he told a press conference last week. The new Prime Minister insists that he will be a persistent critic of the arms race and a strong supporter of the Third World. For starters, Carlsson will travel to the Soviet Union in April to attend already scheduled meetings with Communist Party Leader Mikhail Gorbachev...
Shocking and erotic were perhaps the two words dearest to the heart of Kenneth Tynan, the late English critic who conceived the idea for the show. "He said that we could write about anything in the world within the realm of sexuality," says Benton's Calcutta partner, David Newman. "The only other caveat he had was that our piece should have absolutely no redeeming social value...
TIME Music Writer and Critic Michael Walsh is constantly reminded that the scope of his job is "at least national, and often international." Indeed, the peripatetic Walsh, accompanied by New York Correspondent Dean Brelis, traveled to Moscow two weeks ago to write this week's cover story on Pianist and Returned Russian Exile Vladimir Horowitz. Since joining the magazine in 1981, Walsh has logged some 50,000 miles a year covering musical events and personalities. In the past 14 months he has visited San Francisco, Japan, London, Paris, Austria, West Germany--and even East Germany, for the opening of Dresden...