Word: critics
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...named to the post again under Kabila. Fat chance. A partial list of 13 Cabinet appointments unveiled Friday reads like a Who's Who of Kabila's Alliance of Democratic Forces for the Liberation of Congo. Although two posts were granted to Tsisekedi's party, the outspoken Mobutu critic was left out. Huffed a humiliated Tsisekedi: "For me, he is not the president." Meanwhile, the "candidate for president" moved swiftly to place the country's military under his direct control. For a "presidential system," noted one Kabila ally, it was nothing more than business as usual...
...sheerest folly. But if the focus of the issue is American art and the writer is Robert Hughes, then it begins to look like wisdom. For nobody comes to the subject better primed than Hughes. He has observed the U.S. art scene firsthand since becoming TIME's art critic in 1970. Three years ago, he embarked on a historical, eight-part TV series about it, also called American Visions, which is airing on pbs from May 28 to June 18. In conjunction with the series, he turned out a copiously illustrated, 250,000-word book under the same title, which...
...October to deal with contemporary visual practice, we need young writers. The time when October was most plugged into contemporary visual practice was during the early eighties. In a sense you could say that there was a certain generation of critic connecting with a certain generation of contemporary practice...
...that animation has been recognized as art, it's time to remember that it has always been big business, bad business--Serious Business, to borrow the title of a helpful cartoon history by Stefan Kanfer, a former TIME film critic and senior editor. (The book is published by Scribner, which, oddly enough, has no cartoon division.) From the Jones, Canemaker and Kanfer works emerges a picture of the industry that might have been painted not by Disney but by Goya. It's compelling and instructive, and it ain't pretty...
...disapproves of the union. So what does he do? He has his sons kill the young man on the couple's wedding night and then reflects to himself that Rose Marie shouldn't have been spared. Perhaps this is too sunny-eyed a view of the world, but this critic firmly believes that if Michael Eisner wanted to separate a daughter from an unsuitable mate, he'd simply get the guy a job at Euro Disney...