Word: crochets
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...second concert of the Cambridge Civic Symphony Orchestra was highly imaginative, but the Orchestra's response to his direction was often disappointing, for one reason or another. In the Mozart Piano concerto (K 271, in E flat) the very excellence of the soloist, a young Frenchwoman named Eveylne Crochet, made the Orchestra's contribution seem rather weak. Mile. Crochet's reading, a compendium of elegant phrasing, effortless roulades, and delicious, unforced tone (for which the piano is probably due some credit) was the performance of a knowing, sensitive professional. But the Orchestra is only a good civic ensemble, and hazy...
Doorstep, at the Tufts Arena through this Saturday, concerns itself, if not the audience, with the problems the Crochet family in Louisiana encounter in trying to raise money for a new home. In order even to make the show bearable an extremely high level of acting is called for, especially in the parts of Mr. and Mrs. Crochet and their daughter Erie. This level the Tufts group does not provide. They fail, both in their line readings and in their movements, to convey any real feeling. Marilyn Rawlins as Mrs. Crochet fails less than the others. But the largest share...
...these magazines ruin moral standards and they must be murdered at the newsstands, then let's kill all the magazines covering crime. No more detective yarns, no killing, no war. What's left? Crochet, anyone...
...Edith Stein, whose fame had not penetrated convent walls, never learned to sing or crochet very well, even after she joined the nuns behind the grille. But, as Sister Teresa Benedicta of the Cross, she learned the spiritual lessons of Carmel so well that she has already been proposed as a candidate for beatification in the Roman Catholic Church. In The Scholar and the Cross (Newman Press; $3.50), German-born Author Hilda Graef analyzes Edith Stein and her spiritual saga with rare objectivity. One fact emerges clearly: whether saint or simply, as a friend suggested, "an ideal personality," Edith Stein...
Only a slight fault of interpretation or stiffness in acting technique separates most of the others in the cast from the standard set by the three principles. Robert Beaty understands his part as a kindly, ineffectual old man but plays him as something of a crochet and far too sharp a thinker. Colgate Salsbury lacks the proper touch of fatuous pomposity and caricature in his version of a bumptuous farm manager. But neither man is at all bad in his role. Lee Jeffries and Patricia Leathem are good at saying their lines but have done little to improve on them...