Word: crommett
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Dates: during 2000-2009
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...time Academy Award winning documentary maker.But according to Harris, although a more technical education strengthens practical skills, it may detract from students’ creative ability. “When people leave NYU, they are technical masters but sometimes their ideas fall short,” said Michael F. Crommett, a freshman at NYU’s Tisch School.“My own bias is that you shouldn’t go to film school as an undergraduate,” Harris said. “It’s a better idea to go to a liberal arts...
...serious: Federico García Lorca’s tragedy “Bodas de sangre” (“Blood Wedding”).“We thought we’d start with a foundational text in Spanish theatre,” TEATRO! founder Julie Ann Crommett ’08 explains. “With ‘Tres sombreros’ we wanted to do something that was more obscure.”Although “Bodas de sangre” is better known in the Anglophone world than “Tres sombreros...
...Blood Wedding”), written by the Spanish genius Federico Garcia Lorca in 1932, premiered as the first all-Spanish play to have ever been performed in a Harvard theatre. Directed by Christopher N. Hanley ’07-’08 and produced by Julie Ann Crommett ’08, “Bodas de Sangre” is the inaugural production of Harvard College TEATRO!, a new student organization that presents Spanish plays at Harvard in their original language.A tale about love, suffering, and betrayal (I promise it’s nothing like the typical Spanish...
...first Spanish-language play presented by a Harvard student group, runs through tomorrow night.Teatro was formed in March 2007 with the goal of bringing Spanish-language theater to Harvard. “Bodas de Sangre” is the group’s first full-length production. Julie Ann Crommett ’08, one of the founders of Teatro and the producer of “Bodas,” frames the group’s role in cultural terms. “I think that for the first time [at Harvard], people of Latino or Hispanic heritage...
...will include a production of August Wilson’s “Ma Rainey’s Black Bottom,” a BlackCAST production, which explores “intra-racial experiences and inter-racial relations within the music industry,” according to Julie Ann Crommett ’08, a member both of Kuumba and the BAF board. The play, a meditation on artistic ownership, takes place in 1927 in a blues recording studio during the course of one day.BAF will also take an analytical approach to black art and how it integrates itself into...