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...logic here is simple and very much in the vein of Cronbach's rebuttal to the Jensen paper, i.e., if you want black kids to think like white kids, imprint this type of thinking habit early (5 days to 2 years of age) with simple thinking, concept cluster tasks. White tutors can do this in the homes or at drop-in centers or white teachers can enable black parents to learn...

Author: NO WRITER ATTRIBUTED | Title: Black IQs A Professor Replies . . . | 3/13/1969 | See Source »

...also not clear that it would really make much difference if somehow genetic distinctions did exist between white and black minds. As one of Jenson's respondents--psychologist Lee J. Cronbach of Stanford--puts...

Author: By David Blumenthal, | Title: Black IQ's | 3/6/1969 | See Source »

...have his lollypops. In this case the lollypops are dispatches, which the general must procure from a lovely, wide-eyed female spy who is the only really bright thing in the play. She is arrogant and clever, scheming and talkative, and of course beats Napoleon. Paula Cronbach wanders into this femme fatale role with a beguiling innocence that can suddenly turn into astonishing alertness and wit. As Napoleon, Edward McKirdy succeeds, but not so smoothly. He seems to realize that Shaw's portrait of the general as a young man is weak, and that Shaw's Napoleon talks so much...

Author: By Larry Hartmann, | Title: Shewing-Up of Blanco Posnet and Man of Destiny | 11/9/1956 | See Source »

...sculpture, warmth is less easily achieved. The Greeks did it consistently, but few moderns care to try. Among the few is Burr Miller, whose marble Genetrix stood out at the Whitney like a breathing woman in a waxworks. Robert Cronbach's bas-relief Woman Drinking was contrastingly weightless; by hollowing out his fat, unhappy figure he had transformed her into an alcoholic cloud...

Author: /time Magazine | Title: Art: Signs of Spring | 4/17/1950 | See Source »

...under 30 inches high). If the Guild's outdoor exhibition was meant to show Sculpture for the Garden, this was apparently meant to show Sculpture for the Home. Sculptor William Zorach's Youth won a great deal of admiration for its clean-cut and subtle modeling; Robert Cronbach's well-constructed little group Industry, and Warren Wheelock's exuberant figure of Walt Whitman, Salut an Monde (see cut), showed a new ease with planes and masses. Both made art critics wish for their enlargement to a less inti mate scale, and Wheelock's conception...

Author: /time Magazine | Title: Art: Sculpture for the Home | 11/7/1938 | See Source »

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