Word: cronenberg
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Director John Hillcoat and actor Viggo Mortensen have both made their names with dark, gritty films: Hillcoat with Nick Cave-scripted Western “The Proposition,” Mortensen with a pair of David Cronenberg thrillers, “A History of Violence” and “Eastern Promises.” It is tempting, then, to suggest that with “The Road,” a bleak, post-apocalyptic travelogue, both men are sticking to what they know...
...conditioned to see a parade of Caucasians in action movies. What is more likely to grab viewers is the dynamic storytelling (partly in mockumentary form), the gruesome yet sympathetic aliens, the robot suit that briefly turns Wikus into Iron Man, and the surfeit of body parts exploding. Like David Cronenberg - especially in his masterpiece, The Fly - Blomkamp is fascinated by the ways our bodies morph, decay and betray us. And like Jackson's early, grotty films (Bad Taste, Braindead - the titles say it all), District 9 revels in its mixture of horror and loopy humor and in the propensity...
...course, there were cult movies, and Ballard became best known for those: Steven Spielberg's WW II epic Empire of the Sun and David Cronenberg's adaptation of Crash, the 1996 shock flick that caused a stunned moral panic in Britain 23 years after Ballard's novel was published...
...landed in a Canadian backwater with a young David Cronenberg, who was then near the start of an exemplarily transgressive career writing and directing meta-horror movies (Shivers, Scanners, The Fly, Naked Lunch) about the body as the ultimate toxic agent. The project was the 1977 Rabid, in which Chambers plays Rose, a car-crash victim who undergoes surgery that forces her to feed on human blood; soon she infects most of Toronto. The notion of a blond-angel porn star as the carrier of a fatal disease seemed like misanthropic science-fiction then. Within a few years, the festering...
...Cronenberg hired Chambers on the advice of his producer, Ivan Reitman, who rightly figured her name would help sell the picture in foreign markets. If she wasn't quite as convincing as Cronenberg's first choice, Sissy Spacek (who at the time was making her breakout film, Carrie), she was a compelling, scary and often sympathetic presence. In the 1992 book Cronenberg on Cronenberg, the director described Chambers as "very shrewd and sharp," and said she "invented her own version of Method acting. When she had to cry, it wasn't a problem, because Chuck would say, 'Remember when Fluffy...