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...last May's Cannes Film Festival it won a hotly disputed prize for "originality, daring and audacity." In November it nabbed five Genies (Canada's Oscar equivalent), including one for director David Cronenberg. It also earned a chilling blast of invective from Ted Turner, boss of bosses of the film's U.S. distributor, Fine Line Features (and vice chairman of Time Warner, parent of TIME). Now Crash--from J.G. Ballard's notorious 1973 novel, and with an NC-17 warning sticker affixed--finally opens in the country that invented car culture...

Author: /time Magazine | Title: CINEMA: SLOW-MOVING VIOLATION | 3/24/1997 | See Source »

...opium haze of dramatic anomie. Stephen Frears' The Van, third in the series that includes The Commitments and The Snapper, is a noisy mess, with shouting in lieu of wit and brawls stunt-doubling for character conflict. But this pub/pug violence was mild next to the atrocities in David Cronenberg's Crash, the festival's mandatory annual outrage. This terminally creepy movie, from the J.G. Ballard novel about people who get sexual thrills from car carnage, could have been a moving meditation on auto-eroticism. The kinks are there but the pace is lethargic, as if the film were moving...

Author: /time Magazine | Title: CINEMA: ALL YOU NEED IS HYPE | 5/27/1996 | See Source »

Directed by David Cronenberg; starring Jeremy Irons and John Lone; Warner Brothers; Rated...

Author: By David S. Kurnick, | Title: M(oronic) Butterfly | 10/28/1993 | See Source »

...from yang. But it's easy to tell hit from miss. Farewell My Concubine, Chen Kaige's Chinese film that won a top prize at Cannes this year before being briefly suppressed by the Chinese government, is a gorgeous, galvanizing epic with starmaking turns. M. Butterfly, the David Cronenberg film of David Henry Hwang's Broadway play, fumbles its romantic and political metaphors and loses the game...

Author: /time Magazine | Title: Reviews Cinema: Oct. 18, 1993 | 10/18/1993 | See Source »

...give real life to the characters, but the close-ups defeat them. So do some unlikely plot points: the defendant and his accuser are put alone to undress and wrestle in a police wagon; the diplomat daubs himself as Madama Butterfly before a rapt audience -- of French convicts! Cronenberg is unlikely to find other spectators as gullible as they...

Author: /time Magazine | Title: Reviews Cinema: Oct. 18, 1993 | 10/18/1993 | See Source »

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