Word: cronyn
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...from 1952 to 1961. This 90 min. melange of the arts highlighted the lions of the day in music (Leonard Bernstein was a frequent guest), dance (Gene Kelly demonstrated how baseball was like ballet) and short dramatic pieces (like William Inge's "Glory in the Flower," with Hume Cronyn, Jessica Tandy and the 22-year-old James Dean). The ringmaster was Cooke, who easily convinced early TV viewers that culture could be enlightening, challenging...
...City, and up to the Christ allegory He Who Must Die in 1957 - Dassin's world is a man's world, and he focuses on it admiringly, avidly. The interest in male flesh was unusual for those sexually timorous times. Back then, seeing actors like Barry Fitzgerald and Hume Cronyn in sleeveless undershirts carried the jolt of nudity, as did the sight of bulky wrestler types (Ted de Corsia in The Naked City, Stanislaus Zbyszko and Mike Mazurki in Night and the City), or Brute Force's lusciously muscled John Hoyt with no shirt at all. Dassin's appreciation...
...bounce when producer Mark Hellinger hired him to direct Brute Force, and the director rose to the challenge with one of the boldest, tautest films of the postwar crime cycle. Finally, he was in the gnarled noir territory that suited him. The story of a vicious prison guard (Hume Cronyn) and the angry cons under his boot, Brute Force is a sharp evocation of unrest in a totalitarian state. It also set up motifs Dassin would keep returning to. Here, as in Rififi, the lead character (Burt Lancaster) is a criminal who has our sympathy, and at the end, pocked...
...they're actually electronic signboards. Words and images shoot upward like the flames of bygone furnaces. The Guthrie's exterior walls are covered in dark-blue steel meant to recall grain silos. But the metal is imprinted with images from past Guthrie productions, scenes with great performers like Hume Cronyn and Jessica Tandy. "There are 'ghosts' on the walls," says Nouvel. "These are the ancestors of the place." Nouvel has a shaved head and a bearish silhouette. When he pads around the theater, talking about ghosts and ancestors, he makes you think of Telly Savalas playing Macbeth, or he would...
...they're actually electronic signboards. Words and images shoot upward like the flames of bygone furnaces. The Guthrie's exterior walls are covered in dark-blue steel meant to recall grain silos. But the metal is imprinted with images from past Guthrie productions, scenes with great performers like Hume Cronyn and Jessica Tandy. "There are 'ghosts' on the walls," says Nouvel. "These are the ancestors of the place...