Word: cronyn
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This drama is set in an old-age home, but one suspects that none of the pensioners are quite so feeble as the play. As dramatic carpentry, The Gin Game is made of balsa wood, while the performances of Hume Cronyn and Jessica Tandy rival the sturdiest oaks. Their artistry is compelling, and they supply the play with, its only bracing vigor...
...that they seem remotely vigorous when the curtain rises. Weller (Cronyn) is in a rumpled bathrobe, and his cane is the only leg he can really count on. Fonsia (Tandy) is encased in a mummy sack of a housedress, and she seems too utterly drained of strength to lift her frowzy bedroom slippers from the floor when she walks. Their mutual terrain is a porch that is peeling in genteel decay. They know all about decay; they are waiting-desperate, lonely, trapped-to find out about death...
Playing two distinctly unattractive characters, Cronyn and Tandy keep an unfailing grip on the audience not by the characters that they portray but with how they interact in flawless craftsmanship. Their words, gestures, voices and facial expressions are like the serves, volleys, lobs and smashes of a championship tennis match. They score 6-love in a play that is stalemated at deuce...
...students insisted on mispronouncing Conroy's name)-and a profound shortage of dramatic conflict. The children, needless to say, are adorable. They are rendered all the more touching by the superintendent of an inhumane school system and an inflexible principal (the former represented by Hume Cronyn in one of his patented portrayals of the small in spirit; the latter played with a not unsympathetic strength by Madge Sinclair). Many of the children cannot spell their names; none know the name of the ocean that surrounds them. The surf regularly claims lives among them because no one-until Conroy...
Today. Actor Hume Cronyn pays tribute to poet Robert Frost on what would have been his 100th birthday. Ch. 4, 7 a.m. 2 hours...