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...Marriage (Sun. 7:30 p.m., NBC) Starring Hume Cronyn and Jessica Tandy...

Author: /time Magazine | Title: RADIO: Program Preview, Oct. 5, 1953 | 10/5/1953 | See Source »

Watching a more or less fully clothed couple cavort around a large bed for upwards of two hours has never been my idea of fully satisfying evening, but Jessica Tandy and Hume Cronyn manage to turn this rather barren situation into an enjoyable comedy in The Fourposter. In fact Miss Tandy and Mr. Cronyn are so engaging that one forgets they are involved in what is commonly called "a theatrical tour de force"; aside from the dominantly large fourposter bed which occupies most of the set there is nothing else which remotely resembles a dramatics personae...

Author: By Michael J. Haluerstam, | Title: The Fourposter | 3/11/1953 | See Source »

...Fourposter is the story of a marriage. It is told in six unrelated scenes which take place at crucial points of the marriage and in which Mr. Cronyn's hair grows progressively thinner and his wife's grayer. The standard stagecraft is complemented by standard situations: the wedding night, the first child, the other woman, the wayward children, and the realization of age are the incidents on which the scenes are built...

Author: By Michael J. Haluerstam, | Title: The Fourposter | 3/11/1953 | See Source »

...critical curses of "static" and "trite"--is author Jan de Hartog's plausibly witty dialogue and believably gradual development of character. He has made things easier for his audience by casting his male lead in the part of an author of best selling if not memorable novels. Thus Mr. Cronyn can be humorously sarcastic without imposing on the audience's credulity; his lines are what one might expect from a clever, superficial writer. As his wife, Miss Tandy progresses from a blushing but eager bride to a mature woman without any false crises. Rather her growth can be seen...

Author: By Michael J. Haluerstam, | Title: The Fourposter | 3/11/1953 | See Source »

They did bring two of their own productions to New York. The first was The Little Blue Light with Hume Cronyn and Jessica Tandey; the other The Relapse, a Restoration comedy, sponsored by the Theatre Guild. These should have given the Brattle prestige to attract angels and revenue to pay the debts. But the inexperienced Brattle businessmen found they had signed contracts for certain properties and had forfeited play rights to such an extent that the profit disappeared and they left New York with little more than they had brought in. Moreover, the prestige they won did not draw...

Author: By Michael Maccoby, | Title: The Brattle Theatre--Brilliance and Arrogance | 11/14/1952 | See Source »

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