Word: crooner
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...Sister,” a gentle appeal to a sibling “too young to be treated badly, too bored to be told.” It is a radical departure for Vetiver, with a rhythm section lifted straight out of a fifties R&B crooner. Next is the winsome “Everyday,” which sounds positively twee. With its barred strumming, steel guitar and Cabic’s sunny “doo-doo-doos,” “Everyday” could be a lost Belle & Sebastian track. “Another...
...very idea of Jerry Lewis, let alone his presence. To the graybeards at the Academy, Jer is not only the demolisher of Oscar's gravitas but the unkillable specter of his first eminence, in the late '40s and '50s, as the goony kid prancing around the cool crooner. (One producer cruelly called Martin and Lewis "the organ grinder and the monkey"). He is the comic whose genius, or even the robust grosses of his movies, nobody in Hollywood took seriously. And because he was championed as an auteur in the pages of Cahiers du Cinema, Lewis's detractors have made...
...ultra-nerd Julius Kelp, who sports goofy bangs (the following year they'd be cool, when the Beatles wore them), prominent teeth, and thick glasses - your basic Mo Rocca look. In love with adorable student Stella Stevens, Julius evolves chemically into Buddy Love, a stud crooner with hair glistening like a patent leather handbag. But this doppelganger was not the lush, uncaring satyr Dino (Martin played that role the following year in Billy Wilder's Kiss Me, Stupid). No, Buddy was more likely the Jerry Lewis id: the imperious, demanding, borderline-obnoxious personality Lewis displayed the same year...
...early encounter had little impact on Newman's career, which successfully spanned nearly five decades. Inspired by the sounds of bebop saxophonist Sonny Stitt, whose control of the instrument Newman called "superb," he became an important part of R&B crooner Ray Charles' crew in the 1950s; one of their biggest hits was "I Got a Woman...
...Over here were the songwriters - Robinson and the team of Eddie Holland, Lamont Dozier, and Brian Holland (Holland-Dozier, Holland, or H-D-H). Over there was the talent - Stevie Wonder, whom the label discovered when he was 11; Marvin Gaye, who wanted so much to be a jazz crooner before he came into his own in the late 60's; and, above all, Diana Ross, whom the label put its stake in early on, and who was told so many times that she was a star that she drove off one of the Supremes before quitting to launch...