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...hard-hitting Big Green lineup. Klees failed to make it out of the second frame, getting tagged for six runs, with the big blast coming on a three-run shot by Johnathon Santopadre. Walsh attributed Klees’ mistake pitch to Santopadre to the rookie getting his signals crossed on a missed pickoff opportunity.“We had a pick on at second,” Walsh said. “When [Klees] threw the pitch he realized, ‘Uh-oh, I messed up.’ I think he just kind of laid it in there...

Author: By Loren Amor, CRIMSON STAFF WRITER | Title: Comeback Secures Twinbill Split in Hanover | 4/26/2009 | See Source »

...Obviously we’ve been in a couple close races now,” captain Teddy Schreck said, “and it’s a big win, to have the opportunity just to the cross the line first...

Author: By Dennis J. Zheng, CRIMSON STAFF WRITER | Title: Crimson Lights Pick Up First Loss | 4/26/2009 | See Source »

...Scott’s older brother, Jimmy (Kieran Culkin), from the army. “Lymelife” marches to its own idiosyncratic, internal rhythm—both figuratively and literally, as Steve Martini, the director’s brother, scored the film. In the opening scene, the quick cross-cuts between shots of live-action and shots of a housing development model match the beats and thumps of the music. The sounds, however, are only a part of the film’s internal pulse. Each character’s arc acts as a sonata to the film?...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Lymelife | 4/24/2009 | See Source »

...Faculty of Arts and Sciences took a strong stand against the Corps that year, officially requesting that the University refuse to grant credit from all ROTC courses. The University’s current relationship with the Corps was solidified in 1976, after a Faculty vote allowed cadets’ cross-registration at MIT, but without the possibility of credit...

Author: By Edward-michael Dussom and Evan T. R. Rosenman, CRIMSON STAFF WRITERSS | Title: Panel Discusses ROTC Challenges | 4/24/2009 | See Source »

...shifting for the human abilities to capture.Wright’s attempt to understand life through words draws him to songs from the folk tradition. His poems often go beyond imitating folk rhythms and diction to quoting directly from songs. Pieces of lyrics waft through his poems as they cross the narrator’s consciousness—for example “Rhinestone Cowboy,” the title of a song by Glen Campbell, and “Such a wonderful spot, there’s coffee and bananas and the temperature?...

Author: By Rebecca A. Schuetz, CRIMSON STAFF WRITER | Title: 'Sestets' Illuminate Space Between Physic and Aesthetic | 4/24/2009 | See Source »

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