Word: crowbars
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Dates: during 1970-1979
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...themselves with pistols, rifles or shotguns and sat up all night by candlelight in their stores. Surprisingly few shots were fired. Indeed, there were remarkably few fatalities during the disturbances: three people died in fires, and in Brooklyn, a drugstore owner gunned down a man who was brandishing a crowbar at him while leading 30 youths past the store's accordion-like security fence...
...Brushy Mountain Prison on May 3, 1971. Ray left a dummy in his cell, used tools provided by another inmate to remove a concrete block in his cell, crawled into an air chamber, ripped the bars from a ventilation fan and slipped into the prison courtyard. There, using a crowbar, he pried open a manhole cover to enter a steam tunnel leading out. But its 400° heat drove him back...
...Prague street last week was banged out on the horn of a locked car by Pavel Kohout, the internationally acclaimed playwright, and his wife Jelena. Surrounding them were Czechoslovak policemen, with revolvers drawn. Having futilely pulled on the handle, the angry police pried open the door with a crowbar and dragged out the frightened couple. After beating Pavel, police shoved the playwright and his wife into a van and drove off to the Ruzyně detention center just outside the capital...
...Malle, using Belmondo's steeliness for its full impact, gives us ten long minutes of his cool gaze at the opening of Le Voleur. (This is an apparently neglected film that resurfaced this summer at the Telluride Film Festival.) In the dark, eerie moonlight we watch the burglar, Belmondo, crowbar his way into a ritzy, turn-of-the-century mansion. You have never seen such gaudy art nouveau furniture as lies within this house. And Belmondo sees no reason to pamper the stuff; he cracks open cabinets and bashes his cane through display cases. "This is a dirty business...
...burglary for the first time in broad daylight. The whole business is not such a lark after all; Belmondo doesn't feel very sexy. Not Bujold, we now understand, not Belmondo's forged inheritance, not even a socio-economic destiny can satisfy this man's soul. Only his crowbar. The overall conception may strike us as weak, but we can now account for Malle's depressed editing. So if you feel that Malle as director has ripped you off from the slick adventure story you were expecting, at least you'll know the existential reason...