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...distance, a storm gathers strength. It morphs into a tornado, sending croupiers and chorines whizzing across the skyscape like Miss Gulch over Kansas. The door to an airborne Port-A-Potty swings open and an Elvis impersonator falls out. Now the video images give way to a crowd of real people on stage: three backup singers (the Staggering Harlettes) and 18 dancers. This is Vegas, baby. And riding in on that donkey, live and in person, all 5'1" of her, is the Divine Miss M. "Boy," she exclaims, in full twinkle, "is my ass tired...

Author: /time Magazine | Title: Bette Midler Takes Vegas, Leaves Bathhouse | 2/29/2008 | See Source »

...course the bawdry - or, as she puts it, "hits, glitz and tremendous tits." Innuendo goes out the window when Miss M. comes to town. The clerk at the ticket desk offers the friendly warning that this is "adult entertainment," and inside you'll hear Midler caution the crowd, "Please don't call the Pope if you see a tit or two." You won't have to phone Rome; skinwise, the show is pretty chaste. Bette relies on one of her longtime characters - Soph (for Sophie Tucker), the oldest babe in show business - to supply the raunch dressing. "My tits have...

Author: /time Magazine | Title: Bette Midler Takes Vegas, Leaves Bathhouse | 2/29/2008 | See Source »

...real Bette Midler, chantootsie extraordinaire, got the crowd to sing along with "The Rose" while waving their cell phones like cigarette lighters at a '60s concert. Still, she's at her best not so much in the pop ballads that gave her mid-career a Top 40 lift, as in a plaintive ballad like John Prine's "Hello in There," or her rave-up of "When a Man Loves a Woman." They're terrific songs, and prove the lady's still got the lung power. (Does she take requests? Please, then, an encore of her late-70s gut-destroyer "Stay...

Author: /time Magazine | Title: Bette Midler Takes Vegas, Leaves Bathhouse | 2/29/2008 | See Source »

Which is to say, the next hit musical that will attract a younger, more diverse audience than the relatively homogeneous (older, upscale, largely white) folks who usually fill the orchestra seats. It's a crowd that Broadway has been chasing for years. Hair was the first show to really tap into the sensibility and musical tastes of a young generation, and plenty of musicals since then have tried to bring rock (or at least rocklike) music to the land of Stephen Sondheim and Jerry Herman. None, however, were as successful as Rent, which has grossed more than $280 million...

Author: /time Magazine | Title: Life After Rent | 2/29/2008 | See Source »

...Housman gets the ball stolen, and the crowd is eating into Housman right now. Back on the other end, Columbia gets ANOTHER quick basket. Harvard has another turnover (This time, compliments of #55) and Columbia drives it back down the court.....and the Crimson have to foul to prevent another fast break basket. Timeout, Amaker. [Columbia 47, Harvard...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON LIVE: Men's Basketball at Columbia | 2/29/2008 | See Source »

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