Word: crowing
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Dates: during 1960-1969
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...study, and that was too long. But he is perceptive in ferreting out the "perplexing parables" of Kafka's style. Driven by visions of horror and forebodings of doom, Kafka's great obsession was man's alienation from himself, from other me, from the absolute. "The crows maintain." he wrote, "that a single crow could destroy the heavens. There is no doubt of this, but it proves nothing against the heavens, for heavens simply means: the impossibility of crows." Heavens that possess crows must stop being heavens; laws that touch men abandon justice...
...steel-rimmed-glasses granny (Irene Ryan) is cordon bluegrass when it comes to cooking hawg jowls, fat back, corn pone, mustard greens, salted-down possum belly, squirrel shanks, crow gizzards, and boiled toad. Her granddaughter Elly May resembles Al Capp's Daisy Mae from head to toes, notably in profile. She is a tomboy, but she somehow wears Levi's as if they were a bikini. Actress Donna Douglas is typecast in the part. A few years ago she was the best hot-pepper eater in Baywood, La., where she also played boys' football, pitched in softball...
Charlie Mingus denies that Crow Jim exists: "How can you talk about Crow-Jim and look at Mississippi?" And, adds Negro Pianist Horace Silver: "The whites started crying Crow Jim when the public got hip that Negroes play the best jazz." Nonetheless, believes Silver, the differ ence between soul or "funk" music and other varieties of jazz is the difference between talking "colored" and ordinary English-and only a Negro musician can feel it. "It is murder today for white jazz players. Negro clubs just won't play them." says Impresario George Wein. White Pianist Paul Winter...
...direction. Querulous Trumpeter Miles Davis has always insisted on hiring his musicians on talent only, although he concedes that "some colored cats bitched" when he added white Saxophonist Lee Konitz to his group. (In jazz argot, the pressure applied by Negro bigots to Negroes who will not subscribe to Crow Jim is called Crow Crow; its opposite is Jim Jim.) Says Negro Saxophonist Sonny Stitt: "Man. if a guy can play, that's all that counts. I don't care if his skin is purple, orange or chartreuse...
...other Negroes to play with him, it's because he's looking for the same emphasis musically and emotionally." Cooler heads know that the future of jazz could depend on resolving prejudice. Noting that modern jazz owes much to the European classical tradition. Pianist Taylor points out: "Crow Jim is a state of affairs which must be remedied; jazz can never again be music by Negroes strictly for Negroes any more than the Negroes themselves can return to the attitudes and emotional responses which prevailed when this was true...