Word: crucifixion
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Dates: during 1950-1959
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...Only a handful of paintings and a bare 33 drawings have come to light in four centuries, but these are enough to make his fame. His greatest work, a tremendous altarpiece of nine paintings which now stands in the museum at Colmar, Alsace, contains a magnificent painting of the Crucifixion. A mystic with a realist's sense of physical suffering, Griinewald made the Crucifixion an epic of wounds and pain seldom, if ever, matched on canvas...
...name of Surrealist Salvador Dali: "Plagiarism." The respected newspaper A.B.C. had printed a series of photographs pointing up likenesses between Dali's work and that of some of his predecessors. Dali's Christ of St. John of the Cross (TIME, Dec. 17), said A.B.C., resembles a Crucifixion by the 81-year-old French artist Auguste Leroux. A dog in a recent Dali picture is the image of a dog in Anye Bru's Martyrdom of St. Mcdin (circa 1500), and the Dali horses in his set for the ballet Mad Tristan look like John Frederick Herring...
...against Him." They knocked down the men and called the girls "curry guts." An Indian girl turned to Scott: "It's not their fault; they don't know what they're doing." She was a Moslem and had not read the story of the Crucifixion...
...habits. In the early days, Sears' ultimate in sophistication was a solid gold toothpick with earspoon combined, its recommendation for an evening's entertainment a stereoscope with "twelve splendid views portraying in the most vivid manner the story of our Savior's life before & after Crucifixion." Sickly Sears customers were urged to wear a "Heidelberg Electric Belt" for nervous diseases, headaches or backaches. There were "liquor cures" (i.e., knockout drops), and Sears' remedy for the "morphine and opium" habit. Pajamas were first carried for men only and its rouge would "never be noticed...
Last week a Paris gallery proudly displayed three mural-sized Buffets representing the Flagellation, Crucifixion and Resurrection of Christ. Each was spare as an Egyptian frieze, ominous as a nightmare. Haggard men in black swimming trunks and bony women in black dresses posed stiffly and grimly against dirty white skies. The resurrected Christ hung desperate above his tomb, his winding sheet napping from his sides like bat wings. "I defy any man," wrote one enthusiastic critic, "not to feel moved almost to sickness before these works...