Word: crucifixions
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Albrecht DŸrer (1471-1528) was the master of Renaissance printmaking, and his use of this first reproducible media can seem precociously cunning for a pre-modern artist. Throughout his career, he produced five complete series of 'Passions,' describing the stages of Christ's suffering and crucifixion. They were marketed to the masses, as devotional material to be studied in quiet meditation. Bound together into books, they were sold by Drer's wife at local fairs and by clergy at places of pilgrimage. According to the first and most unreliable of art historians, Giorgio Vasari, Drer's mid-life...
...disgusting--but there's nothing to suggest that Chardin was repelled by those glistening pearl-pink guts or the lunar luster on the ray's skin, let alone that (like some modern writers) he saw in the hanging ray an analogy to public execution or even the Crucifixion...
Instead of opening fire, however, the hundreds of Pearl River students watching Smith's mock crucifixion wept. They hugged one another, sang and testified to God's greatness and admitted their troubles. When the morning assembly, scheduled for 90 min., finally ended--five hours later--they knew a kind of fatigued ecstasy. They were not aware that they had presented conservative Christians and civil libertarians with a new object of debate: a full-blown, sweat-soaked religious revival in a public school...
Under the heading "Crimes and Punishments (Primitive and Savage)," the Encyclopaedia of Religion and Ethics lists possible methods of execution: "Decapitation, strangulation, hanging, stabbing or spearing, cudgelling or flagellation, impalement, crucifixion, drowning, burning, flaying alive, burying alive, throwing from a height, stoning, sending the criminal to sea in a leaky canoe, cutting in two, lopping off the limbs. ... In certain regions where cannibalism prevails, criminals are killed and eaten." One method calls for crocodiles...
...view the exhibit as a whole. The only exception to the excess of orthogonality is Haacke's diagonal placement of a framed copy of the First Amendment across the floor of the installation space. Had this object been better tied to Jasper Johns's down-turned flag, an interesting crucifixion motif might have been seen, with the twelve Rubbermaids as disciples, but as such this connection was barely noticeable...