Word: crucifixions
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...needy people. Soon ex-cons, destitute families and vagrants joined him, and the abbe and his growing family of followers started building new residences nearby, using salvaged materials. He called his commune Emmaus, after the New Testament town (Luke 24:13-32) where two disciples, despondent after the Crucifixion, met the risen Christ and were filled with new hope. As it happened, the Emmaus movement was to grow out of personal travail...
...Almost all the characters - including the performers he elbows off-screen in the musical numbers - treat the hero with dumb-struck reverence. Grateful Indians and blacks gleefully accept his political support. Worse still, Dylan fills Renaldo and Clara with self-deifying Christ images. At least we are spared a crucifixion scene...
...apple had before. As the English critic John Berger remarked, the force of gravity was to Courbet what the vibration of light was to Monet and the impressionists. He could put more death into a trout, hooked and flapping on the pebbles, than Raphael could inject into a whole Crucifixion. Courbet's flesh was not an ideal substance, like the flesh of Ingres or Meissonier. Rather, it was weighty, carnal and real. It could be smoothed by relaxation, as with the sumptuous lesbian couple in Sleep, 1866. Or it could be pinched and chapped, like the mourners' faces...
...version absolves the Sanhedrin and the Jewish crowds of their traditional role as villains and assigns it to the loutish Roman soldiers. The main instigator of the Crucifixion, however, turns out to be Lucifer. The Evil One mingles with the Jewish street crowds and accompanies Judas on his mission of betrayal. In one of the few lines with a parallel in both versions, Judas now says, "Oh what cursed gold I received, turning me into a traitor." The 19th century text goes, "Oh cursed money I received from you, the Jewish rot, the scum." Schwaighofer has also added other...
...present realization of the remembrance and hope of Christ." Moltmann believes that the church, caught in the ambiguities of the present, must grasp both the past and the future. Without this balance, he warns, the maintenance of church institutions can become all-important, and belief in Christ's Crucifixion and Resurrection could "decay into a powerless historical recollection...