Word: crucifixions
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Jubilee Year. But Philip had little use for the manifestations of mysticism, including his own. Often he would break down weeping, but later he would belittle such outbursts by remarking that prostitutes shed buckets of tears on hearing of Christ's crucifixion without changing their way of life in the least...
...last crucifixion on the Word. We press on her as Roman on his sword...
...Holy Sepulchre [June 13] might be interested to know of a place "outside the walls" of Jerusalem called the Garden Tomb. Unspoiled by crumbling masonry and sectarian feuds, it is an impressive site, especially since many archaeologists now consider it to be the real scene of Christ's crucifixion, burial and resurrection. Many tourists disappointed by the situation you described at the Church of the Holy Sepulchre are deeply stirred by this entirely natural spot...
Expecting to take in some $5,000,000, Oberammergau's humble townsfolk are selling everything from machine-carved angels to toilet privileges. Life-sized wooden saints go for $1,000. Beggars, who used to count on the Crucifixion scene to cause spectators to empty their pockets in compassion, have long since been driven away by green-coated police, as if to ensure that every pfennig spent in Oberammergau stays in town. Charges have been established with great ingenuity for nearly every action a visitor makes while he is there, with one exception: no way has been devised to shake...
...always possible to relegate a painting to one or the other of the two categories. The work of many artists is semi-abstract or semi-representational; some of the best entries this year were just such items, like W. T. Cummings' "Beach" and Robert Harnilton's "Crucifixion." The war betwen traditionalists and modernists is useless; the only valid war is between the good and the bad, both of which can be achieved in any style. Ernst Halberstadt's representational (and Oriental-influenced) "Landscape" was fine, as was John Gregoropoulos' abstract "Olympian Landscape"; Yukata Ohashi's "Equilibrium No. 4" was abstractionism...