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Word: crucifixions (lookup in dictionary) (lookup stats)
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...feeling that the songs are merely being overheard, that they are reporting something rather than making any statements—literally so in the case of “Venice,” a jokey play-by-play of an artist painting what seems to be an abstract crucifixion scene (complete with Italian voices and crowd noises...

Author: By Jim Fingal, CONTRIBUTING WRITER | Title: NEW MUSIC: Lost and Safe | 4/8/2005 | See Source »

...courage in trying to kill Terri Schiavo than Governor [Jeb] Bush has shown in trying to save her." Just a few days before Easter, Brother Paul O'Donnell, a Franciscan monk and spiritual adviser to Robert and Mary Schindler, Schiavo's parents, said, "We pray that this modern-day crucifixion will not happen...

Author: /time Magazine | Title: Lessons of the Schiavo Battle | 3/27/2005 | See Source »

...underwear and threw him out - he was certain of his homosexuality, but less certain of his artistic talent. He flirted with interior design when he returned to London in 1929 and, once he started painting, destroyed most of his early efforts. One work that survives is a 1933 Crucifixion, which was reproduced that same year in Art Now, a book on contemporary art; on the facing page, tellingly, is a similar work by Picasso, a small-headed Bather (1929) with raised arms...

Author: /time Magazine | Title: Gods and Monsters | 3/20/2005 | See Source »

...Indeed, crucifixions are one of the major themes of the show, even though neither Picasso nor Bacon was at all religious. In a 1992 interview, Bacon called Picasso's crucifixion scenes "still my favorite of his works." Picasso's oil-on-wood Crucifixion (1930) is a vibrant, surreal retelling of the Calvary story, with cross, nails, lance, weeping women and garments being divided by dice-throwers. Bacon's interpretation, Second Version of Triptych 1944: Three Studies for Figures at the Base of a Crucifixion, ignores all this action - even the cross - and concentrates instead on three anguished black-and-white...

Author: /time Magazine | Title: Gods and Monsters | 3/20/2005 | See Source »

...Picasso and Bacon used practically identical language to describe their work on crucifixion paintings: Picasso said he had started to draw an interpretation of a macabre early 16th century altarpiece when it became "entirely something else"; Bacon claimed he had the idea of first putting figures around the base of the cross, but then "something happened" and he "just tried to make something else." Bacon also applied his Picasso obsession to his Triptych in Memory of George Dyer (1971), a tribute to his model and lover. You'll see visual echoes of Dyer's shadowy profile in Picasso's nearby...

Author: /time Magazine | Title: Gods and Monsters | 3/20/2005 | See Source »

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