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...extraordinary. They are capable of great projection, as in the also entrance of the first Kyrie eleison; and they are equally able to sing softly and expressively, as in the Confiteor unum baptisms. Their diction was clear; and strong emphasis was reserved for truly significant moments like the Crucifixus. The Choir showed immense poles in handling violent transitions: the Et resurrexit was a shock to the audience. Only once in the Cum Sancto spiritu was an entrance made without seemingly total assurance...

Author: By Kenneth Hoffman, | Title: A Brilliant Compromise | 10/12/1972 | See Source »

...Friday night, the Harvard Glee Club reaffirmed its position as one of the foremost college choruses in the country. Lotti's Crucifixus was rendered with impeccable diction and great emotional intensity. Mr. Woodworth distinguished carefully between flowing counter-point and contrasting chant-like sections, and he never permitted the tempo to lag. After this elegant bow to the Baroque a selection from Berlioz' Damnation of Faust did not fare so well. The attacks were often uncertain, and the singers almost shouted some of the high notes. A lack of preparation was apparent in some nearly disastrous mistakes and the frantic...

Author: By R.m. Scarpia, | Title: Harvard and Princeton Glee Clubs | 11/9/1953 | See Source »

After the Memorial Church bells ring for the traditional seven minutes before the hour, the Glee Club will open the program with "My Spirit, Be Joyful," by Bach, and continue with "Crucifixus," by Lotti...

Author: NO WRITER ATTRIBUTED | Title: Glee Club to Give Last of Widener Concerts Tonight | 5/24/1949 | See Source »

Works to be sung this evening are Harvard Hymn (Paine); Crucifixus (Lotti): Pslam 121 (Milhaud); Two songs from Appollonian Harmony: Corydon--a Pastoral (Arne) and bacchanal (Cocchi); Tarantella (Thompson); Gently, Johnny (Bingham); and choruses from Patience (Sullivan...

Author: NO WRITER ATTRIBUTED | Title: Glee Club Back on Widener Steps With Concert Tonight | 5/10/1949 | See Source »

...Friday night esplanade concert the Harvard Glee Club Radcliffe Choral Society sang tour choruses from Bach's B -minor Mass: Kyrie, cum Saneto Spiritu, Crucifixus, and Dona Nobis. Despite the difficulties of outdoor singing the chorus sounded full and resonant, and had a good deal of "life" and enthusiasm for the music; but the tempo was noticeably ragged at places, especially in the very rapid and difficult Cum Sancto Spiritu. Also, there was insufficient shading of dynamics, although this may have resulted from the necessity of singing loud all this time in order to be heard outdoors...

Author: NO WRITER ATTRIBUTED | Title: MUSIC BOX | 8/16/1943 | See Source »

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