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Banner headlines in Iraqi newspapers last Friday proclaimed WE DESTROYED KHARG ISLAND. The papers reported a "massive blitz" by Iraqi planes against the terminal, one of the world's largest, through which flow 90% of Iran's crude-oil exports of 1.6 million bbl. a day. If indeed Iraq had destroyed the terminal, it would have been a turning point in the five-year-old gulf war. By late last week, however, oil-industry experts concluded that although Iraqi jets had managed to penetrate the heavily defended southeastern, landward side of the complex known as "T terminal," the strike would...

Author: /time Magazine | Title: Iran: War and Hardship in a Stern Land | 6/21/2005 | See Source »

...scene is a great one, awesomely played by the two actresses. The way terror can suddenly appear in the midst of banality, the basic irony that is the source of most modern horror fiction whether it be crude slasher pic or elegant Hitchcock classic, has never been more eloquently or economically stated. For Ana, at least, there is relief in hysterically speaking at last of what has been, for her, the unspeakable. For Alicia, however, the friend's nightmare only hints at the one that she herself is to face. Under the terror imposed by the junta, which ruled Argentina...

Author: /time Magazine | Title: Cinema: Torture Test | 6/21/2005 | See Source »

Then why see the movie? That's the better question. A scant hour and a half long, padded with clips from earlier Rocky pictures, adding nothing to his mythic, let alone human dimensions, it lacks even the primitive suspense and crude capacity to release underdog emotions that permitted its predecessors to conquer one's better judgment. The ritual this time celebrates only cynicism and, perhaps, star egotism. In Rocky IV, the underdog is the noise-mauled audience, and one can only hope that it will come off the canvas and take a hike. Or better still, refuse the rematch...

Author: /time Magazine | Title: Cinema: Win the Battle, Lose the War ROCKY IV | 6/21/2005 | See Source »

Working in the wee hours, small bands of radical activists and students had used wire snippers to sever coaxial and optical cables for signal, communication and computer systems at 24 locations in Tokyo, Osaka and five other cities. Using canisters of kerosene attached to crude timing devices, they also blew up or burned down cable connections. Thus, when railway officials tried to start the first trains of the day at 5 a.m., they found to their horror that neither signal lights nor rail switches were operating on 22 commuter lines. As a result, the system in Tokyo and Osaka remained...

Author: /time Magazine | Title: Japan: Paralysis on the Tracks | 6/21/2005 | See Source »

Between his professional flowering in the 1880s and his death in 1907, Saint-Gaudens was seen as proof that America could produce art--an ability that, his patrons felt, went hand in hand with the triumph of the industrial Northeast after the Civil War. He gave the crude, grabbing Republic its lessons in symbolic deportment and visual elocution, and won its unstinted gratitude. If there was such a thing as the American Renaissance, then Saint-Gaudens embodied it in sculpture, as surely as the Roeblings did in engineering, Louis Comfort Tiffany in décor or McKim, Mead and White...

Author: /time Magazine | Title: Art: American Renaissance Man | 6/21/2005 | See Source »

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