Word: cruella
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...trade is bristling over TV ads for Disney's newly revived One Hundred and One Dalmatians. The 1961 classic portrays the fiendish CRUELLA DE VIL as a Leona Helmsley-esque character obsessed with luxury furs. The ads create "a gruesome picture in ((children's)) minds, making them understandably upset the next time they see their mother put on a fur coat," complains Fur Age Weekly editor Lisa Marcinek. Joining the fray, People for the Ethical Treatment of Animals exhorts parents to expose their children to the film's "playful, yet solid antifur message." And so they are. Dalmatians has pulled...
...both foe and friend to his vision of boundless growth through tax cuts and monetary reform. But so far his gauzy optimism has proved more boring than inspirational to voters; for months, he has idled near the bottom of the polls. Last week Pollyanna began to look more like Cruella De Ville: Kemp unleashed an uncharacteristically hard-nosed campaign that managed to rattle both George Bush and Bob Dole. In so doing, he elbowed his way into the "Bob and George" show and enhanced the prospect that he, rather than Pat Robertson, would become the conservative alternative...
...Babbitt concentrated on large, slow, furry creatures like Goofy and the Big Bad Wolf. Grim Natwick, who created Betty Boop for another studio, was the early specialist in femininity. Eric Larson's skill with cute round little animals contrasted nicely with John Lounsbery's sleek menace-Cruella in One Hundred and One Dalmatians, Alex Alligator in Fantasia. That film, of course, was the great test of the studio's range and included such marvelous, unprecedented imagery as Wolfgang Reitherman's massed battling dinosaurs and the dark demonism of Vladimir Tytla's work on the Night...
...cannot deny the quality of Hippolyte's inspired, innovative sections: the Trio for the Fates in the Hades scene, "Quelle soudaine horreur," with its macabre, Gesualdo-like modulations (superbly sung in the production); Phedre's pathetic scena, "Cruella mere des amours": the Act IV Hippolyte-Aricie duet, "Ah! fautil e un jour," with its revealing major-minor key shifts, and Aricie's closing "Nightingale Aria," one of the first soprano vs. flute bel canto trials...
...news gives all dogdom paws. At the daily "twilight bark," an "All Dog Alert" goes out: Where oh where have those little dogs gone? They have gone, it seems, to join 84 other puppies in Cruella de Vil's Dalmatian Extermination Location, where they successfully and hilariously dodge the executioners until yelp arrives...