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Last year set a benchmark for women cartoonists with nearly a half dozen major works published, including three in my top ten. This year looks to continue this important upswing with the appearance of Aline Kominsky Crumb's Need More Love: A Graphic Memoir (MQ Publications; 383 pages; $30). Another in the long line of interesting female artists who get overshadowed and even vilified as a result of being married to a beloved male artist (in this case, Robert Crumb), Kominsky Crumb gets the solo attention she deserves with this new book. Need More Love delivers some of the most...

Author: /time Magazine | Title: All You Need Is... | 2/21/2007 | See Source »

...Some of these masterworks are known only in diluted form. E.C. Segar's newspaper strip Thimble Theatre lent its most popular character, Popeye, to cartoons. So did George Herriman with his Krazy Kat and R. Crumb, to his immediate and lingering regret, with Fritz the Cat. (Winsor McCay, who created his Little Nemo in Slumberland comic strip in 1905, smartly made his own animated films.) Say "Mad," and most people will think of the magazine, or the TV show, not Harvey Kurtzman's inestimably more original and insurrectionist comic book, which existed for 23 glorious issues from...

Author: /time Magazine | Title: Does Mad Need a Museum? | 2/3/2007 | See Source »

...Dreaming up and writing Mad at EC Comics, Kurtzman virtually invented what would become the era's dominant tone of irreverent self-reference: one form of pop culture mocking all other forms, and itself. Kurtzman inspired several of the artists in this show, including Crumb, whose exemplarily twisted panels first appeared in Kurtzman's post-Mad magazine Help!, and Art Spiegelman, whose Pulitzer Prize-winning Maus in 1986 spurred a lot of high-minded people toward a belated appreciation of the form. (A comic book about the Holocaust - that must somehow be important...

Author: /time Magazine | Title: Does Mad Need a Museum? | 2/3/2007 | See Source »

...While swell for New Jersey residents, placing the first half of the 20th century's comic strip artists into the Newark Museum is, from the perspective of this provincial New Yorker, the equivalent of hiding them in a Federal Witness Protection program." The Jewish Museum also censored some of Crumb's more robust drawings, provoking Spiegelman to withdraw his art from the show he had helped inspire...

Author: /time Magazine | Title: Does Mad Need a Museum? | 2/3/2007 | See Source »

...screening room about to watch the rushes of her big song. (It's the sad, teasing "Je n'ai qu'un Amour c'est Toi," and, in another 100th birthday present, is covered on the new CD by World Musette, a Paris band fronted by the cartoonist Robert Crumb.) Her jealous lover creeps into the projection booth and, from there, shoots her dead. Brooks' face goes lifeless as her screen image lives. And the song ends: "Don't think I'm untrue / My only love is you / Don't be demanding / Be understanding ... / My only love...

Author: /time Magazine | Title: Lulu-Louise at 100 | 11/14/2006 | See Source »

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