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Cheating the modern slots is therefore no job for the amateur. It requires professional skills: the crust of the con man, the deftness of the dip, the skill of the safecracker. The professional cheater will buy a machine ($400 and up), take it home to his workshop for devoted scientific study. Disassembling it, he will examine each reel, spring and screw. How best to make his entry? What tool will do the job? What part of the mechanism should be jimmied with what tool? Then comes careful experimentation until at last he discovers the machine's weak spot...

Author: /time Magazine | Title: GAMBLING: How to Hit the Jackpot | 4/6/1959 | See Source »

...impractical can turn practical overnight with a little cash behind it. In Scientific American this week, Geologist Willard Bascom published the first full report of a onetime AMSOC daydream, which is now backed by the National Science Foundation: to drill a hole right down through the earth's crust to its hidden interior...

Author: /time Magazine | Title: Science: Down to Moho | 4/6/1959 | See Source »

...under the earth's surface (the depth varies from place to place). This suggested that the Moho marked a dividing line between different materials. Geologists believe that the Moho is the bottom edge of the granite and basalt that forms the lower layer of the earth's crust; under it is the earth's mantle consisting of a mixture of silicates and nickel-iron, which in turn encloses the nickel-iron core...

Author: /time Magazine | Title: Science: Down to Moho | 4/6/1959 | See Source »

...even use of the w.c. -the cramped loft thrums with a threat as foreboding from within as from without. Young Anne wakes from a nightmare with terrified screams; greedy old Van Daan. whose wife and teen-age son share the flat with the Franks, tries to steal a crust of the communal bread; the dentist bolts for the door when the phone in the deserted office below jangles noisily. Yet no one cracks so completely that the cement of their absolute dependence on one another cannot repair the damage...

Author: /time Magazine | Title: Cinema: New Picture, Mar. 30, 1959 | 3/30/1959 | See Source »

...tree." In working, he may decide to paint only the skin of the serpent, or the texture of wood. This usually involves mixing marble dust or sand with his dark pigments: the result is like a shallow bas-relief with muted colors suggestive of the earth's own crust. Tàpies confesses to "struggling" with his materials, then intently observing the outcome: "I am the first spectator before my canvas. I am a normal man. If it touches me, it will touch...

Author: /time Magazine | Title: Art: The Black Prince | 3/16/1959 | See Source »

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