Search Details

Word: crusts (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Harvard Pizza--Plympton St. at Mt. Auburn. This is the median of pizzerias: Roman Hruska, former senator from Nebraska and author of a famous speech in defense of mediocrity, would love this place. It serves the standard American pizza--hot, cheesy and with a tasty crust--but it's nothing special. The folks behind the counter are affable though, and the place features a tiny television perched atop the Coke machine. That tube is always, come hell, high water or the Yale game, and it's usually tuned to either a ballgame (if one is on) or re-runs...

Author: NO WRITER ATTRIBUTED | Title: Pizza for the Masses | 6/26/1978 | See Source »

Pinocchio's--Eliot St. near Boylston St. Here it is fans, the best pizza in the Square. Somehow these guys do it just right every time...perfect crust, just the right combination of cheese and sauce, and always expertly cooked. You can't beat it, even if it is a little expensive, and often very crowded...

Author: NO WRITER ATTRIBUTED | Title: Pizza for the Masses | 6/26/1978 | See Source »

...pinched flesh, are the lineal descendants of the fallen Eves in Gothic art. The expressionist body is a scrag of mutton with big extremities, very unlike the prosperous Renaissance nudes that, however mutated, survived in Picasso and Matisse. Expressionism was an art of confession, directed against the impermeable crust of a deeply formalized society. It had few political ambitions-as German Dada did-but it did carry a strong current of social idealism. This did not show itself so much in Utopian schemes as in a vague aspiration toward spiritual improvement, salvation through sensitivity, the obverse of which...

Author: /time Magazine | Title: Art: The Anguish of the Northerners | 3/27/1978 | See Source »

purple heads through the crust of the pale blue snow...

Author: /time Magazine | Title: Books: White on White | 2/27/1978 | See Source »

...task, then, was to free language from its weight of inherited content, in the hope of freeing life itself. Chance, ambiguity, insult, nonsense, anything would serve, if it promised to break the crust. Above all, there was irony: the indifference of Duchamp, -the attacks on the social jugular perpetrated by German Dadaists like George Grosz and John Heartfield, and Picabia's drawings, which make mock of the cult of the machine. When this battery of anarchic techniques moved to Paris in the '20s, colliding with a long but temporarily dormant tradition of romanticism, surrealism was the result...

Author: /time Magazine | Title: Art: The Scions and Portents of Dada | 2/6/1978 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | Next