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Marcos supporters have petitioned the Philippine Supreme Court to reverse its earlier decision denying re-entry to Marcos. In the meantime, Imelda plans to place her husband's body temporarily in an aboveground crypt. Plans for a wake in the auditorium of Manila's Honolulu consulate were dropped, perhaps after it was discovered that the hall was named after Ninoy Aquino...

Author: /time Magazine | Title: THE PHILIPPINES Body Politics | 10/16/1989 | See Source »

...intimations of mortality. On another June morning, almost 21 years to the day after he caught the attention of the Bavarian professor, Hitler was taken on a triumphal tour of Paris. He paused at Napoleon's tomb, placed his cap over his heart, bowed and gazed at the crypt. Then the Fuhrer turned to a favorite and said somberly, "You will build my tomb." But construction had already begun on that mausoleum. At its completion five years later, it would also accommodate some 50 million others. It was called the Third Reich, and its designer was Adolf Hitler. The failed...

Author: /time Magazine | Title: Architect Of Evil | 8/28/1989 | See Source »

TALES FROM THE CRYPT (HBO, June 10, 9:30 p.m.). Those scary old E.C. comics inspired three horror tales, each directed by a Hollywood heavyweight: Robert Zemeckis (Back to the Future), Walter Hill (48 Hrs.) and Richard Donner (Lethal Weapon...

Author: /time Magazine | Title: Critics' Choice: Jun. 12, 1989 | 6/12/1989 | See Source »

...public view at Highclere. Who squirreled them away? No one knows, but it seems that the sixth Earl Carnarvon, son of the man who entered Tut's tomb, was furious after he lost a lawsuit in 1924 against the Egyptian government for a half share of the crypt's riches. Miffed, the aristocrat forbade any mention of Egypt...

Author: /time Magazine | Title: Treasure: The Butler Found It | 3/21/1988 | See Source »

...work in a haunting and oblique way. Margarete's presence is signaled, like a motif in music, by long wisps of golden straw, while Shulamite's emblem is charred substance and black shadow. Hence Kiefer's tragic image of Shulamite, 1983: a Piranesian perspective of a squat, fire-blackened crypt, the paint laid thick in an effort to convey the ruggedness of the masonry, whose architectural source (as Mark Rosenthal points out in his astute introduction to the difficulties of Kiefer's work) was a Nazi "Funeral Hall for the Great German Soldiers" built in Berlin...

Author: /time Magazine | Title: Art: Germany's Master in The Making | 12/21/1987 | See Source »

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