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...Among the more uncouth of the year's dramas was this tale of a girl's grim progress from an Ohio village to the bed of a Cleveland beer-runner. Out of a welter of cheap wheezes and smudgy local color comes the 'legger's cryptic decision to marry the girl. Thus made respectable, they return to Ohio, to find the coffin of the girl's tortured mother in the dim sitting room. Cullen Landis played the 'legger without retrieving the general exhibition of bad theatre and worse taste...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Jun. 10, 1929 | 6/10/1929 | See Source »

...Wesleyan University, for safekeeping, photographing and occasional exhibiting, arrived last week eight pages of cramped and cryptic handwriting. The bushywooled savant whose pen had scratched, squiggled, crossed out and corrected was no less a personage than Germany's Albert Einstein. These pages were the original manuscript of his Zur Ein-heitlichen Feld-Theorie (TIME...

Author: /time Magazine | Title: Education: Wesleyan's Treasure | 4/15/1929 | See Source »

...York Times correspondent filed this cryptic despatch: "An aviation authority who prefers not to be quoted says there are 80 first-class Mexican pilots, who, with the use of as many planes, could soon end the rebellion...

Author: /time Magazine | Title: MEXICO: Again, Mexitl | 3/18/1929 | See Source »

Among Japanese who did disembowel themselves last week in the good old-fashioned way was Captain Kisaburo Koyanagi, Assistant Naval Attache of the Japanese Embassy in Moscow. Reason: "private." The following cryptic utterance arrived from Moscow the next morning: "It is needless to state a painful impression has been created in foreign diplomatic circles . . . when parties grow so rowdy that neighbors protest, the case becomes a matter of public interest...

Author: /time Magazine | Title: JAPAN: Such Vulgarity! | 3/18/1929 | See Source »

Since this statement still seemed a trifle cryptic, smart reporters decided to look in their office encyclopaedia and see what Old Max had painted. Persons of superior culture know that he chose to paint subjects lashed and gored by Fate-the poor, the orphaned, the aged and desolate. For years Max Liebermann haunted the orphanages, asylums and old people's homes of Amsterdam and later the great German cities. A decade passed while critics flayed his canvases. Then slowly it was realized that Liebermann was doing for German art what Millet had done for French. Today...

Author: /time Magazine | Title: Foreign News: Amiable Octogenarians | 12/17/1928 | See Source »

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