Word: crystal
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Dates: during 1970-1979
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...Hardesty, a stodgy opinionated executive, to run his fiefdom after his retirement. Roger, the husband loves his job, but then he's got all the responsibility. Wife Pat, a talented aggressive careerist who's got the chance to make it big in the women's mag biz, loathes the crystal and china tea service life of a corporation hausfrau. She starts to come down strong on the jaunty Roger for not considering her professional objectives and personal needs in their life...
...meets all the physical requirements for becoming a new deity, but he somewhat lacks learning. So near the end of the film he undergoes a sort of psychedelic tutorial. Zed takes in his hand the source of all accumulated knowledge, which happens to be a glowing, triangulated crystal. He presses it to his forehead and is magically enveloped by it, absorbing all there is to know...
...expose Mr. Herrnstein's brand of nonsense, I again did not challenge any particular estimate of heritability in any population, because none of these estimates is relevant to the causes of the difference between social classes. Just to make things crystal clear, however, let me state again that no current estimate of the heritability of IQ can be validly referred to the white population of the United States as a whole, not to any identifiable sub-section of it. We do not know to what real population, if any, these estimates are to be referred, and they are all irrelevant...
...inspired by a visit to the now defunct Manhattan rock emporium Fillmore East (where he wore paper earplugs), Fox decided to reach out for the large youth audience by giving Bach a psychedelic transfusion. He added a ton and a half of prisms, lenses, wire, plastic, glass and crystal, installed a light show and his Rodgers Touring Organ-a 4,000-lb. electronic monster with 56 stops and 144 speakers-and opened in the Fillmore with an all-Bach recital. Surrounded by a swirl of colored lights, he swept in on the chariot of the colossal Toccata and Fugue...
Unfortunately, as the current revival by Manhattan's Phoenix Repertory Company shows, Barry was not quite up to the company he tried to keep. He lacked Coward's dry crystal tone, Porter's slyly sexy urban ennui, Fitzgerald's tender romantic imagination and Shaw's intellect. Barry's plays are a little like cocktail parties that have begun to wind down, leaving the guests more prone to hysteria than hilarity...