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...even the estimated $30 billion a year that the U.S. spends on intelligence can buy a crystal ball. Good analysts are purveyors not of predictions but of reality checks, of correctives to their superiors' prejudices, misperceptions or wishful thinking. That means working in an atmosphere of freewheeling discourse...

Author: /time Magazine | Title: America Abroad The Case Against Gates | 10/14/1991 | See Source »

SESSIONS (HBO, debuting Oct. 6, 10:10 p.m. EDT). A 42-year-old husband and father (Michael McKean) discusses his sexual fantasies and mid-life neuroses with a sympathetic shrink (Elliott Gould). Billy Crystal created and co-wrote this offbeat comedy series, which is frank and frequently clever, though a bit mushy at the center...

Author: /time Magazine | Title: Critics' Voices: Oct. 7, 1991 | 10/7/1991 | See Source »

...vessel that holds the fragrance obsesses designers. In the '20s, Coco Chanel cut hers from crystal in a severe, geometric shape, setting the standard for power bottles. At the time it spelled freedom and modernity to women, and it is still immediately identifiable. Now companies look for a mixture of old-fashioned quality and contemporary flair. Klein's pristine tube for Escape began in his mind as an appurtenance in an English travel case. Arden headed down to the rhinestone mines. For SpellBound, Lauder added a detachable atomizer, achieving a sort of nostalgic novelty. "Success is like a one-armed...

Author: /time Magazine | Title: Fragrances The War of the Noses | 9/30/1991 | See Source »

...marketers growing ever more sophisticated. But there are still a few wild cards in the poker game. This fall will also see the launch of Omar Sharif's signature scent for women, which will come in at $750 an ounce. For this whopping sum the customer gets a Baccarat crystal flacon and two refills a year for her life -- or the perfume's. Who knows? Four cherries and a banana? Or maybe a five-cherry...

Author: /time Magazine | Title: Fragrances The War of the Noses | 9/30/1991 | See Source »

This summer's films offer support for both truisms. The two megahits are from the two biggest stars: Costner's Robin Hood ($140 million so far) and Arnold Schwarzenegger's Terminator 2: Judgment Day ($160 million). With City Slickers ($105 million), Billy Crystal has demonstrated that a comedian, savvily shaping projects to suit both him and a large audience, can share the spotlight with two cranky studs. But the season's major flop is Dying Young (a pitiful $32 million), from the former Miss Can't-Miss, Julia Roberts. "They said Julia Roberts could open any film," notes Martin Grove...

Author: /time Magazine | Title: Entertainment: Do Stars Deliver? | 8/26/1991 | See Source »

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