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...paste, has neither an aesthetic nor a political leg to stand on. The ideas contained in the exhibit are too focused and yet too disparate to evoke any response, anger or otherwise. No doubt it makes one pine for Haacke's kinetic sculptures, such as 1963-65's "Condensation Cube," which leaves the viewer with visions of Yves Klein trapping dampened...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Report from New York | 5/12/2000 | See Source »

...Rubicon," her newest piece, was featured last month at the Mario Diacono gallery in Boston. In Diacono's presentation, the two canvas panels (with pencil, gesso, pumice and acrylic on the left-hand panel and water-based ink and acrylic on the right) attract the viewer out of a cube of white, bare walls. Similarly, Lemieux's piece lifts her bricks out of a blank space, penciled, then layered with textural media, delivering geometric packages of a single, double or triple artistry...

Author: By Amanda Gill, CONTRIBUTING WRITER | Title: Deconstruction Site: On the Job with Annette Lemieux | 4/14/2000 | See Source »

...Ryman had signed a glass artist's palette, complete with dried patches of mixed paint, and wrapped it in the linen he used to stretch his canvases. LeWitt enclosed a tiny white cube, in which was a scrap of paper with ambiguous instructions: "a line, not straight, corner to corner." Artschwager created within the frame of steel a wooden box that opened onto ever smaller boxes. Buren avoided the responsibility of prediction altogether and had given his box to a friend to fill. Inside, the other artist had lined the box with Buren's signature red-and-white stripes...

Author: By Kristen Butler, CONTRIBUTING WRITER | Title: Better than Christmas | 3/3/2000 | See Source »

When he wanted a design for the 21st century, James Stewart Polshek, architect of the Rose Center, went to the 18th. His solid sphere set in a mostly glass cube has its origins in one of the abiding fantasies of the architectural world: the unbuilt ball that French neoclassical visionary Etienne-Louis Boullee conceived in 1784 as a memorial to Sir Isaac Newton. Boullee knew a simple sphere would state with full authority the grandeur of the cosmos. Polshek knew...

Author: /time Magazine | Title: How It Stacks Up Architecturally | 2/28/2000 | See Source »

...glass cube, it admits a view of the New York City sky, or as much of it as high-rise, heaven-deprived Manhattan allows. Even the threadwork of exposed cables and clamps that holds the glass in place hints at the tug of forces that bind the universe together. "If you push these comparisons too far, you fall into kitsch," says Polshek. But push them just so, as he does, and you climb to the stars...

Author: /time Magazine | Title: How It Stacks Up Architecturally | 2/28/2000 | See Source »

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