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Senators have a duty to ensure that Bork does not have a chance to continue playing his self-absorbed game with the Constitution for him is like a 200-year old Rubik's cube. After tortured reasoning, the game's self-proclaimed master manages to find a way to come to the same end point. Bork is more than a conservative activist. He's a radical puzzle-solver...

Author: NO WRITER ATTRIBUTED | Title: A Radical Puzzle-Solver | 9/23/1987 | See Source »

Each year, The Crimson Sports Cube challenges its readers to a baseball trivia quiz. With the Red Sox in the midst of their first homestand of the '87 season, it is time once again for this annual rite of spring. Give yourself 6 points for each correct short answer and 4 points for each correct multiple choice. If you score...

Author: NO WRITER ATTRIBUTED | Title: 1987 Sports Cube Baseball Trivia Quiz | 4/14/1987 | See Source »

...light. No architect in America, not even Kahn himself, has reflected more sensitively on space and natural light in their relation to works of art. Isozaki's use of materials, especially the white, curved, fused- glass paneling and the rugose red skin of Indian sandstone with which the declarative cube-and-arch geometries of the entrance block are sheathed, is wonderfully precise and just offbeat enough to keep the eye alert...

Author: /time Magazine | Title: Art: Getting On the Map | 1/12/1987 | See Source »

...copy of the magazine you are now holding in your hands is destined for a time capsule, a green-tinted 18-inch steel cube, to be deposited in the museum of the Statue of Liberty. In addition to this week's TIME, which contains memorable photographs of 1986 and a letter to the people of 2086 by Senior Writer Roger Rosenblatt, the capsule will include high-quality original prints of the pictures in this week's Images section, as well as next week's Man of the Year issue. When the container is opened, the contents should help explain much...

Author: /time Magazine | Title: A Letter From the Publisher: Dec. 29, 1986 | 12/29/1986 | See Source »

...terraces clad in squares of soft, tan-gray Burgundian limestone. The avenue is for monumental sculpture (some very monumental indeed, like the huge stone original of Carpeaux's La Danse, a copy of which decorates the facade of the Paris Opera). It finishes in a pair of windowless double-cube towers, containing smaller galleries, set against the glass end wall. Inside the terraces, left and right, are enclosed galleries. On top of these are two smaller "streets" for sculpture, and off those, on the upper level, more galleries for painting and decorative arts. This axiality was compared, by critics...

Author: /time Magazine | Title: Art: Out of a Grand Ruin, a Great Museum | 12/8/1986 | See Source »

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