Word: cubes
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Dates: during 1930-1939
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When the saving notion of a music-school background came to Goldwyn, he turned it over to Scenarists Irmgard von Cube and John Howard Lawson. For another $30,000 Heifetz consented to return to Hollywood for a few necessary scenes. Goldwyn feared more trouble getting Virtuoso Heifetz to play to the accompaniment of his juvenile orchestra, 45 gifted Los Angeles protégés of philanthropic University of Southern California Professor Peter Meremblum. But when Heifetz heard the kids on the set valiantly attacking the Barber of Seville overture, he acted just as Producer Goldwyn hoped he would, grabbed...
This was the third triumph for the Harvard Freshmen in as many starts. Their next game is Saturday night when they meet the Boston University Cube in another curtain-raiser for the Varsity...
...that the breed, by now almost pure filet mignon, is still improving. This year's Mercer and 1900's Advance were both Aberdeen-Angus. But Mercer, only 22 months old to Advance's 26, was shorter-legged, closer to the ground, more nearly a perfect elongated cube, typified the ideal animal that breeders, packers and consumers have been dreaming toward. Weighing 300 Ib.less than Advance, Mercer was a far more economical animal, because he provided cuts to fit the shrinking U. S. oven yet allowed no wastage, achieved maturity in materially less time, could be turned into...
...shrewdest stroke is in showing up the common legend that the Cubists got their program from a famous sentence of Cezanne. The actual sentence: "You must see in nature the cylinder, the sphere, the cone. . . ." It is not recorded that Cezanne ever in his life referred to the "cube." yet by what Author Herter takes to be a monumental feat of autosuggestion, many writers on art misquoted him to include it, the artist's interest in essential geometry thereby becoming the cliche of a school...
...Fogg workshop are two painted panels which reproduce the mosaic portrait of the emperor Constantinus Monomachos. These are the first two experiments. In the first the actual pattern of the cubes was transferred from a full six photographic print to a prepared panel of gesso. The form of each cube was then laboriously incised into the gesso and painted in tempera. The second experiment was made directly on a photostat. The form of each cube in this case was raised with gesso, somewhat in the manner of the raised letters in a medieval manuscript, and them painted with glue tempera...