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Word: cubists (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Perhaps the best known among the Bauhaus painters represented at the Busch-Reisinger in Paul Klee. In the last few years his colorful, semi-cubist abstractions have become more and more popular. Besides some of these oils there are a few delicate lithographs and an especially interesting etching entitled, "The Miser." In this work Klee employed a technique which he used successfully in some of his other etchings, that of two faces registering opposite emotions superimposed on each other. One face wears the expression the world sees, the other that of the subject's own personality...

Author: By Michael Maccoby, | Title: On Exhibit | 1/15/1952 | See Source »

...bastard arrangement of Negro art. In order to recover their youth, the elite of our civilization, who no longer have anything to say . . . have grasped greedily at the art of these alleged savages." ¶ "Abstract painters have betrayed painting and, after killing it, have shut it up in a cubist coffin. Life today hardly allows one to be a painter. Tomorrow it will be even less so. What is painting today? An anachronism...

Author: /time Magazine | Title: Art: Anachronisms in Paris | 10/8/1951 | See Source »

...mother's gaunt, grey-faced corpse ironically alongside a menacing array of medicine bottles. Although he never left Belgium, Ensor's pictures helped set off detonations all over Europe. "I indicated all the modern experiments," he boasted. "When I look at my drawings of 1877 I find cubist angles, futurist explosions, impressionist flakings, dada knights and constructivist structures." Some Ensor followers: Swiss Paul Klee, Russian Marc Chagall, Belgian Paul Delvaux...

Author: /time Magazine | Title: Art: Belgian Misanthrope | 10/8/1951 | See Source »

...long time for such cheers. The son of a Parisian day laborer, he apprenticed himself to a stone carver at 14, attended free sculpture classes in public night school. Before World War I, he took a studio in Montmartre, began hobnobbing with Paris' artist-revolutionaries, translating their cubist experiments into blocky, three-dimensional breakdowns of guitars, women and bottles. But as Laurens' friend, Cubist André Lhôte, puts it, "The painters had the luck-the bourgeoisie liked the colors. But the poor sculptors! The women were afraid the corners would catch the plumes in their hats...

Author: /time Magazine | Title: Art: Good-Natured Frenchman | 6/11/1951 | See Source »

...question of the High Authority, v. the cartels can be settled, the treaty draft will go to the Western European foreign ministers who must set up the "High Authority," and finally to the national parliaments, who will have to ratify it. The Schuman Plan remains, in spite of cubist complexities, Europe's best hope for economic unity and strength...

Author: /time Magazine | Title: ECONOMICS: Schumcm Plan Deadlock | 3/12/1951 | See Source »

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