Search Details

Word: cubists (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...wall, two Cubist still-lifes are displayed side by side, one by Braque, the other by Picasso. The second canvas is larger--perhaps only a coincidence, but it certainly symbolizes Picasso's overshadowing reputation. Completed within two years of each other and composed of the requisite mandolin, the combination of the two paintings effectively displays each artist's approach to spatial arrangement. Picasso stacks cubist shards on top of each other, conveying height, while Braque tends to deals more with depth, using receding images...

Author: By Marco M. Spino, | Title: Hazen Collection Creates Impression | 12/1/1994 | See Source »

Fellow sports cubist David Griffel chastised them for their tranquility. And then the news department comes out with a story about how attendance is down at football games...

Author: By Eric F. Brown, | Title: All Those Empty Seats | 10/26/1994 | See Source »

...apart into formal incoherence, but it never does: it has the kind of control you see in great drivers or skaters, a supple rigor that seems to exist only on the edge of its own dissolution. One is tempted to say that Excavation is the last great Cubist painting, 30 years after Cubism petered out. All of De Kooning's relation to Picasso...

Author: /time Magazine | Title: ART: Seeing the Face in the Fire | 5/30/1994 | See Source »

...Significance: Tonal Values in Abstract Art" underpublicized and virtually hidden behind an exhibition of antique clocks. The show opened December 11, but it has not received the exposure and recognition it deserves. The exhibition examines the uses of color and tones in abstract art, spanning from Picasso's Cubist collages to Louise Nevelson's monochromatic sculptural reliefs...

Author: By Mark Roybal, | Title: Significant `Shades' | 1/21/1994 | See Source »

...perverse quasi-affection, that Vegas could be a beacon for the nation's architecture, his manifesto had transformed America. Forget the Bauhaus and your house -- it is the Vegas aesthetic, architecture as grandiose cartoon, that has become the American Establishment style. And so the splendidly pyramidal new Luxor and cubist new MGM Grand (both the work of local architect Veldon Simpson) do not seem so weird, since equally odd buildings now exist all over the place...

Author: /time Magazine | Title: Las Vegas, U.S.A. | 1/10/1994 | See Source »

Previous | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | Next