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Word: cubists (lookup in dictionary) (lookup stats)
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...earliest works, the artist displays a decidedly cubist influence. The dimension, subject matter and composition of such pieces as Bottle, Teapot, and Accordian are reminiscent of the distinctive collage still-lifes of the French artist Braque...

Author: By Suzanne PETREN Moritz, | Title: Viewing Forms of Le Corbusier | 10/19/1990 | See Source »

...exhibition's key paintings is a little-known Picasso, Studies, from 1920. It looks like a detail from the wall of his studio on which a number of postcards of his own works have been arranged, in all their diversity of style: cubist still lifes reproduced in miniature, but also a woman's head and two hands done in the rotund "classical" manner he adopted after 1919. The emblems of fragmentation (both cubist and antique) share the same pictorial space, essentially that of a collage, with those of an equally intense longing for stability and wholeness. It is a singularly...

Author: /time Magazine | Title: Art: Modernism's Neglected Side | 8/13/1990 | See Source »

...elsewhere, during the last 25 years." His influence was wide. Those cakes of thick pigment, those creamy, generous brushstrokes inlaid like rough marquetry over their contrasting grounds, struck many artists in the 1950s as a viable alternative to the linear, quasi-geometric abstraction that had grown out of the cubist grid. But though De Stael had a healthy effect on two or three major artists, especially the English painter Frank Auerbach, most of his imitators were insipid, and their weakness reflected on De Stael's own reputation...

Author: /time Magazine | Title: Art: A Lyrical Colorist Rediscovered | 7/23/1990 | See Source »

Prince, a government concentrator, said that his work was partially inspired by Picasso's cubist painting, "Three Musicians," and that his main goal was to create a sculpture that would "enliven the courtyard...

Author: By John M. Bernard, | Title: Mather to Unveil Sculpture | 2/2/1990 | See Source »

...series of great and (for this generation of museums and their public) definitive exhibitions, done at the highest pitch of scholarship and curatorial skill: late and early Cezanne, Picasso, Manet, Van Gogh, Monet, Degas, Watteau, Velazquez, Poussin, up to MOMA's current show of Picasso's and Braque's Cubist years and, perhaps, Seurat to come...

Author: /time Magazine | Title: Sold! The Art Market: Goes Crazy | 11/27/1989 | See Source »

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