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Died. Jacques Lipchitz, 81, one of the greatest sculptors of the 20th century; of a heart attack; in Capri. From his native Lithuania, Lipchitz immigrated to France at 18 and became the youngest member in a group of cubist artists that included Pablo Picasso, Juan Gris and Georges Braque. Working in stone and bronze, Lipchitz simplified human figures into multiplaned, crystal-like abstractions. During the '20s, he began to reverse the process and "from a crystal build a man, a woman, a child." His ideal became Rodin rather than Picasso, his work more monumental, his themes heroic. During World...

Author: /time Magazine | Title: Milestones, Jun. 11, 1973 | 6/11/1973 | See Source »

...this highly personal show, composed not from real world materials but from fragments of paintings and painted imitations of printed patterns. It is as if the artist, this early in his career, could not yet make a whole painting, and instead combined successful forays on the armature of a Cubist model. Some of the works, in fact, are actually renderings or interpretations of Picasso prints in collage. Verbal and literary significances, which permeate all of Motherwell's career as a painter, can be seen as early as Mallarme's Swan, dating from the late forties, and the same inklike shapes...

Author: By Phil Patton, | Title: Downtown and In Town | 6/11/1973 | See Source »

...Inspector is his sixth book since 1945.) He has clearly learned a lot from Grosz's fat generals and Berlin prostitutes, from Paul Klee's wandering tactile line, and perhaps less noticeably, from the sketches of Picasso. The Inspector includes a number of collage drawings that resemble parodies of Cubist still lives -- tables overflowing with anonymous, fragmented objects -- that demonstrate this source particularly well...

Author: By Phil Patton, | Title: Masks of the Literal | 5/3/1973 | See Source »

...modern art will probably never be documented-not because it is unapparent, but simply because nobody, for 30 years or more, has been untouched by him, so that the lesser details involve meaningless talents and run out in peripheries and shallows. He established collage as a formal device. His Cubist constructions steered the course of modern sculpture away from mass and toward open forms and rigging. His sheet-metal Guitar of 1912 was as prophetic of future sculpture as Demoiselles had been of later painting. His combination of found objects with metal, wood or string, such as his Figure...

Author: /time Magazine | Title: Art: Pablo Picasso:The Painter as Proteus | 4/23/1973 | See Source »

...Morosov's tastes were slightly more conservative. He had 18 Cézannes, no fewer than five of which are in the present show, but he balked at Cubism. Schuhkin, however, absorbed it all, from the primitive and enchanted jungles of Henri Rousseau to the most difficult early cubist Picassos, from the bustling impressionist streetscapes of Pissarro to the dense, darkly resonant and sinister vision with which Gauguin, in Tahiti, could invest even a subject like Still-Life with Fruit...

Author: /time Magazine | Title: Art: Riches from Russia | 4/2/1973 | See Source »

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