Word: cubists
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...director really dealing with human intelligence, Lang consructed for Mabuse deep sets whose fantastic decor reveals the imaginations of the characters. The Countess's extremely broad and deep rooms are filled with African masks and huge primitive statues which she wonderfully explains in the words, "My brother is a cubist." We immediately sense a world, not exactly that of the early twenties on the Continent, but informed with the essence of that time. The mood current among the rich, joining malaise to brilliant cultivation, typifies a dying upper class that feels no threat in extinction. Their easy lives far from...
...artifacts and accouterments of the years between the two World Wars, from jewelry to architectural decoration, are now being rediscovered in much the same fashion that Art Nouveau was a decade or so ago. The Cubist-patterned rugs and lacquered sideboards mother threw out daughter eagerly buys in thrift shops. The tubular lamps and muscular lobby murals that embarrassed board chairmen ten years ago are now sought by youthful cultists and even a few museums. Somewhere along the way, the style acquired a name: Art Deco...
...Much of Nothing" poster (see Strike Graphics Illustration #3) is a simply great, vaguely cubist construction with the letters "Too Much of Nothing" alternately dropping in and out of a background map of Harvard Yard. The silk-screen method is a medium particularly well suited to alternating blacks and whites so the background and foreground read over each other in a reverse transparency. The technique makes the "Too Much of Nothing" poster at first hard to read, but ultimately a wonderful design...
...sweeps about Venice in her private gondola, Peggy Guggenheim. 70, has borne a vexatious problem: What to do with her vast art collection when she dies? Her palazzo on the Grand Canal is filled with Cubist, Surrealist and Abstract Expressionist treasures. Museums in New York and London have clamored for it but she wanted to keep it in Venice. Then she hit upon an ingenious solution. Why not New York's Guggenheim Museum? So, title to Peggy's 263 prime works, valued at up to $12 million, will be given to the Guggenheim-on the condition that they...
...synthesis of every kind of movement in the theatre: non-objective, abstract, futuristic, surreal. We are to say--look this is a piece of stage, it is not real life. So, let's treat it in a context void of emotional restraints. Let's treat it like a cubist treats a piece of canvas. The Light Company should be a collage- type theatre, allowing a person to select what he wants...