Word: cues
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Dates: during 1970-1979
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Wind and Whirlwind. Much of the evening resembles a lecture interspersed with picture slides. On cue, a cavalcade of people troop across the stage; samurai and sailors, fishermen and merchants, ladies of pleasure and constant wives, a wax puppet of an emperor and a Perry (Haruki Fujimoto) who stomps out a "lion dance" with his long white mane flailing the air. Pacific Overtures swallows them all like...
Bergman's wandering camera makes any stage-audience formality vanish. He roves freely onstage with close-ups of the singers and pans of the set, follows them backstage and finds Papageno asleep, late for his cue, and darts into the audience to record the listeners' rapt faces. Sven Nykvist's extraordinary lighting and framing pours new layers of fantasy onto the story--hands appear out of nowhere, portraits come alive, and airy scenes like Renaissance paintings dissolve into somber, feverish settings lit by stark, bluish fires. The film keeps the quality of a live performance because...
...always left a lot to be desired. For now, if women want to see a true image of womanhood on film, they'll have to do it alone. And if feminists want to understand themselves and others better, they'd do well to take Woman to Woman's cue and look beyond themselves...
...every other variety of American but old-line Anglo-Saxon Protestants and the well-publicized blacks, American Indians and Hispanics. "White ethnics have been ignored in favor of blacks and Hispanics," claims Mary Sansone, executive director of New York's Congress of Italian-American Organizations. Now, taking a cue from the blacks, the white ethnics argue that what is good for blacks is good for other minorities. They too are demanding public recognition, federal funds, their own school and college studies-like "The Armenian Immigrant Experience" to be taught in Belmont, Mass., public schools-proportional representation in local government...
...Caesar's Wife" by Peter Homans and Bill Johnsen, which has a whining Sissela Bok complaining about all those cocktail parties and privately longing to be married to "a Brutus," is right on the mark. "Tarts of the Arts"--by Paul Rosenberg and Ted Trimble--takes its cue from a familiar situation--a jaded senior, unable to find inspiration in his term paper, thinks back to "that night four years ago in Greenough" when three sleazy muses wrapped in feather boas slinked into his room to ask provocatively, "In the mood for some...conceptualization?... Wanna...toy with some ideas...