Word: cues
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Dates: during 1970-1979
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...achievement as a film. Produced by Hal Prince, directed by Joe Masteroff, with music and lyrics by John Kander and Fred Ebb. Cabaret appeared on Broadway in 1966 to deliver a telling blow to the old-fashioned Broadway musical where songs served merely as dialogue and the songs cue was king. Ever since Oklahoma' had hit the scene in the forties, musicals were presumed to be merely souped up dramas. Lyrics had to advance the plot and dances were expected to serve some dramatic function. Cabaret was one of the few musicals of the middle sixties to say that needn...
...spitting snarls, Maria denounces Elizabeth to her face ("obscene, unworthy prostitute . . . vile bastard"), and thereby seals her doom. At the end, Sills is the epitome of resolute self-control, pulling her disparate and volatile selves together, laying her head bravely on the block and rapping it three times to cue the executioner, as, by some accounts, Maria did. Going to one's death onstage is nothing new for any opera singer. But Sills somehow always manages to put new life into it. -William Bender
...greatest Indian that ever lived, shot by order of government. Shot with a gatling gun, while the wonderful grey horse I gave him for performing in my show danced his repertory of tricks in the background, since a gunshot was his cue to perform...
...revelation about fear of success came from the one sex "cue" included in the experiment. Horner had modified the familiar TAT (Thematic Apperception Test*) to require males to write about the success of another male, females on the success of a female. Asked to write about a mythical girl at the top of her medical school class, more than 65% of the women associated her success with depression, illness and sometimes even death. Asked to write about a boy in the same position, 90% of the men equated his success with happiness and prosperity. The women obviously seemed afraid...
...expected to loom as the biggest of all the movie's problems, turned out to be a model team player. Indeed, Brando's only major fault as an actor was that he would not or could not learn his lines, and had to read them from hidden cue cards. Long known as an actor who lives his roles, Brando in effect adopted the actors who played his screen sons. Just before shooting started, Ruddy threw a cast party at an Italian restaurant in Manhattan. "We were all new to each other," says John Cazale. "We stood there...