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...Arabs is dangerous and absurd. And after decades of serving as pawns for larger powers, the Palestinians in the West Bank and Gaza have taken control of the Arab struggle against Israel, forcing the rest of the Arab world to play catch-up. Jordan's King Hussein took his cue last year by revoking his claim to the West Bank. Last December P.L.O. Chairman Yasser Arafat made capital out of the uprising by renouncing terrorism and recognizing Israel's right to exist...

Author: /time Magazine | Title: Middle East Still Stuck in the Stone Age | 12/11/1989 | See Source »

...CUE: Ciavaglia winks...

Author: By Michael R. Grunwald, | Title: The Dramatic Play | 12/2/1989 | See Source »

...Little Mermaid wrestles with no such ambiguities. It comes with flourishes, a rainbow and a perfect kiss -- full heartstring accompaniment. But from the first frame, Disney's suave storytellers cue you to wonderment in their adaptation of the Hans Christian Andersen fairy tale. Ariel is a mermaid princess with a teenager's yen to travel beyond her world and become part of the forbidden one above. To her father, King Triton of the Mer-people, humans are "spineless, savage, harpooning fish eaters." To Ariel they are skyrockets and sea chanteys and buried treasure -- the thrilling unknown. Then she spies hunky...

Author: /time Magazine | Title: Cinema: Festive Film Fare for Thanksgiving | 11/20/1989 | See Source »

...inkling of the earthquake either. (The news reaches him later, midway through the show, though he doesn't mention it on the air.) With minutes to go before his 5:15 deadline, he is in his dressing room, slipping into a stylish double-breasted jacket, glancing briefly at his cue cards and getting some final dabs of makeup. With only seconds to spare, he bops downstairs, wades through a phalanx of enthusiastic staffers, then darts behind a blue translucent curtain. The band blares, the announcer wails. Hall sinks to one knee for a few seconds of silent prayer. Then...

Author: /time Magazine | Title: Video: Let's Get Busy!! | 11/13/1989 | See Source »

...instinct rather than bitter experience, can possibly be. We fear for the older bear's life as he does not; we imagine the degradations of captivity as the cub cannot. But these emotions are not imposed by the movie. There is almost no dialogue, no voice-over narration to cue audience response, and composer Philippe Sarde's lovely score is similarly discreet. This very pure picture entrusts all its meaning to images, and then trusts the audience to read them correctly...

Author: /time Magazine | Title: Cinema: Call of The Wilderness | 10/30/1989 | See Source »

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