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Repeatedly she refused to accept last-minute changes in scripts. To one importunate composer she snapped: "Call me Miss Birds Eye. It's frozen." Yet she could ad-lib with the best. During a performance of Annie Get Your Gun, a prop rifle misfired but, on cue, a bird fell from the rafters. Without missing a beat, Merman held up the dead bird and remarked, "What do you know? Apoplexy...

Author: /time Magazine | Title: She Had Rhythm and Was the Top | 2/27/1984 | See Source »

...political and economic problems [Jan. 16] but fail to consider what the U.S. was like on its 25th anniversary. In 1801 many Americans were illiterate. Transportation was poor, and the nation had a weak central government, minority problems, strong regional loyalties and was dependent on foreign allies. Taking a cue from our own history, we should give Africa more time to deal with its woes...

Author: /time Magazine | Title: Letters: Feb. 6, 1984 | 2/6/1984 | See Source »

...national Presidential campaign is heating up. Taking their cue from Jesse Jackson and Gary Hart, Reubin Askew and John Glenn team up for an evening on national TV, as do Alan Cranston and George McGovern. Askew is the big loser in this strategy, since a hefty proportion of viewers take him as Glenn's running mate...

Author: NO WRITER ATTRIBUTED | Title: The Year of the Wrap | 1/3/1984 | See Source »

Broadway's got the blues. The current season has taken its cue from last year's box-office slump and dared to offer less of the same: revivals, British imports and a few ho-hummable musicals. The only serious new American play (Brothers) closed on opening night. Worse, for the main stem's economic and emotional health, there have been no successful romantic comedies in more than a year. It says something dour about Broadway, its playwrights and its audience that the last laugh-till-you-cry hit was Torch Song Trilogy, Harvey Fierstein's savvy...

Author: /time Magazine | Title: Theater: Broadway's Big Endearment | 12/26/1983 | See Source »

...Tennessee Williams announced his dramatic strategies and asserted his mastery of verbal magic. To the American theater Williams lent a firefly glow through which audiences could see into the dissolving past, into the long nights of desire and failure. For the next 35 years, directors took their cue from Williams' own lazy flights of self-destruction, from his wispy-wise, Percy Dovetonsils voice, and launched productions of his plays on gossamer wings toward the aerie of poetic eccentricity. In the Williams otherworld, one tiptoed through cobwebs, was blinded by moonbeams...

Author: /time Magazine | Title: Theater: Moonbeams Paved with Asphalt THE GLASS MENAGERIE | 12/12/1983 | See Source »

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