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...muzak noises would not be so awful except that Weir repeatedly splices between them Albinoni's dirge-like Adagio in G minor to signify CRITICAL MOMENTS and IMPENDING FATE. The fault lies not in the adagio, which is a fine piece of music, but its repeated use as a cue is silly and melodramatic. Yet, it is by no means a fatal flaw. To ruin Gallipoli would take something more along the order of Waltzing Mathilda for 110 minutes...

Author: By Daniel S. Benjamin, | Title: The Runners Stumble | 10/7/1981 | See Source »

...left-wing student pressure to reduce the influence of the all-too-powerful coterie of the Dean and his advisors. Administrators, anxious to restore calm to campus, decided upon a system with the council and Faculty on top and student-faculty bodies like the Committee on Undergraduate Education (CUE) and the Committee on Houses and Undergraduate Life (CHUL)--a set-up likely to be effective in muffling protest while being not overly conciliatory to student demands...

Author: By Paul A. Engelmayer, | Title: Behind Closed Doors | 9/30/1981 | See Source »

Their tactics were right, probably more than they ever dreamed. CUE and CHUL remained visible for some time, but in recent years have faded into nothingness. When either body has tried to assert that it is more than a vestigial decision-making organ, the Faculty Council has put it emphatically back in its place...

Author: By Paul A. Engelmayer, | Title: Behind Closed Doors | 9/30/1981 | See Source »

WHEN CHUL overwhelmingly recommended a University-wide policy of non-discrimination on the basis of sexual orientation last year, the council spurned that request. When CUE debated makeup exam policy for two months last year before tabling discussion--in part because they were told they could review all academic rules this year--the Faculty Council proceeded to revise makeup policy by forcing students with two or more make-ups pending to present their case before the Administrative Board. Formed because students rebelled against the Dean's ability to pick his own advisors, the council has gradually metamorphosed into an essentially...

Author: By Paul A. Engelmayer, | Title: Behind Closed Doors | 9/30/1981 | See Source »

Vitti and Branciaroli, two handsome and appealing actors, follow Antonioni's cue. There is little passion in their voices, even when the queen and Sebastian over come their initial distrust and become lovers to the death. No surprise here: Antonioni is the man who made aleatory music out of monotone in L'Avventura. But there is feeling aplenty conveyed through the vibrant orchestration of color. Each character is given his own "aura"-a kind of placenta of color that indicates his passion or humor. And every time the queen's mood changes, her surroundings change too, like...

Author: /time Magazine | Title: Cinema: Raise the Colors | 9/28/1981 | See Source »

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