Word: cuisinarting
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Dates: during 1980-1989
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...Blackman. From observing the reactions of Moscow friends who visit her comparatively grand apartment, she knew how difficult many Soviet women have it at home. "The kitchen isn't exceptional by American standards," Blackman reports. "But the Soviet women are amazed to see a dishwasher, a toaster and a Cuisinart." Soviet men are bemused at the sight of her husband, Associated Press Moscow Bureau Chief Michael Putzel, helping in the kitchen...
...script, making it difficult for us to appreciate Schroeder's solid direction of a highly competent cast. Rourke has genuine negative charisma in this film, in contrast to his vapid, one dimensional sex magnet persona in 9 1/2 Weeks. Here he's a sex symbol straight out of the Cuisinart, with his bloodstained tee shirts and battered face, and he remains likeable through the corniest moments. For all his apocalyptic late night poetry scribbling and implausible literary references, we can understand why Wanda and Tully fall in love with him, and even come to blows over him in (where else...
Leland has almost succeeded in putting together the perfect postmodern Southern novel--you can taste the chunks of Faulkner, Warren, and Flamingo Road that he has dropped in his literary Cuisinart and spread across the pages. The only thing is, Leland has ground his sources so fine that Mrs. Randall lacks the kind of semi-mocking tone that gives the post-modern credo its camp appeal. Instead, Leland has invested his novel with the virtues of the great Hollywood dramas of the 20's and 30's, where plots and characters you had seen many times before were distilled...
...were on our way home from Montreal after a weekend of bilingual debauchery when the muffler--possibly out of mechanical outrage at my amateur outrage at my amateur treatment of the clutch--slammed onto the pavement, leaving the car sounding somewhat like a Cuisinart trying to eat gravel: "Rrrr--KKKKK--ponkataponkata--WhaP...
...Salvador, Stone was learning to wind the cinematic mechanism until it coiled with productive tension, both on the screen and on the set. "Working with Stone was like being caught in a Cuisinart with a madman," James Woods opines. "And he felt the same about me. It was two Tasmanian devils wrestling under a blanket. But he's a sharp director. He starts with a great idea, delegates authority well, scraps like a street fighter, then takes the best of what comes out of the fracas." Says Dale Dye, the Marine captain who hazed Platoon's actors to firm them...