Word: cukor
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...response to Andelloux’s repeated emphasis on being happy with one’s body and oneself, Ez U. Cukor, a law student involved with both HLS Lambda and Harvard Law Students for Reproductive Justice, said that this sex-positive emphasis was an attitude that could benefit much of society...
...high school you learn all the ways sex can hurt you,” said Cukor, adding that she hopes to see society become more accepting of various forms of sexual behavior. “I think the more chance people have to access this information, the more change there will...
British directors had exoticized Simmons' beauty; the Americans mostly domesticated it. She suited Hollywood's fondness for coming-of-age stories about the great and famous. In George Cukor's The Actress she played the teenage Ruth Gordon, desperate for Broadway acclaim; in The Young Bess Simmons was a budding Queen of England, co-starring with her first husband, Stewart Granger. She ornamented De Mille-style antique epics like The Robe and The Egyptian, which required only that she look good and speak well. And she went up against Brando first in the 1954 Desirée, where...
...Truffaut and Claude Chabrol - were writing for Cahiers du Cinéma, which Rohmer edited from 1956 to 1963. No film magazine was so influential as Cahiers in those years. The young firebrands excoriated the prevailing French cinema and championed Hollywood directors like Howard Hawks, Samuel Fuller, George Cukor and Alfred Hitchcock. (Rohmer and Chabrol co-authored one of the earliest Hitchcock monographs.) Soon, their revolution in criticism spread to the screen. Godard made Breathless, Truffaut The 400 Blows. Their Nouvelle Vague (New Wave) was cresting; its influence would land on many shores. (See the 100 best movies...
...never stopped.) At times Rohmer dipped into the past, for The Marquise of O, Perceval and his final work, Romance of Astree and Celadon, but he's best remembered for his lighter films and their scrupulous devotion to the wiles and smiles of women. He ranked with George Cukor, Ingmar Bergman and Yasujiro Ozu as a director, appreciator and avid anatomizer of the opposite sex. And his actresses were young beguilers who bloomed under his lens...