Word: cukor
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Dates: during 1970-1979
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...Corn Is Green (Jan. 29, CBS, 9 p.m. E.S.T.) is the latest collaboration of Katharine Hepburn and Director George Cukor, who have worked together off and on since A Bill of Divorcement in 1932. Theirs was one of the movies' great creative partnerships: in such films as Holiday, The Philadelphia Story and Adam's Rib, they set the standard for sophisticated light comedy in American pop culture. Unfortunately, The Corn Is Green does not play to Hepburn and Cukor's strengths. This made-for-TV movie, a new adaptation of Emlyn Williams' play, is mainstream sentimental...
...Cukor stages the story well enough against lush Welsh landscapes, but there are very few openings for his usual flourishes of wit and romance. James Costigan's mechanical teleplay often italicizes plot developments; a second-half plot stratagem, in which Morgan fathers an illegitimate baby, comes across as crude turn-of-the-century melodrama. One also wonders why Costigan has not bothered to open up the play's naturally constricted action. When Morgan travels up to Oxford to take his exams, the audience expects to go with him: the Welsh boy's first encounter with upper-crust...
Friday, October 27: Film: "Holiday" with George Cukor (1938). Room 10-250, 7:30 pm Free with MIT or Wellesley...
...location for a television remake of Broadway's 1940 success, The Corn Is Green, Hepburn is cast as the indefatigable Miss Moffat, a sturdy spinster who moves to a Welsh mining town and opens a school. The man in the director's chair is close friend George Cukor, 79, the grand old master who guided Hepburn through nine previous films. For the crew it's an ideal summer frolic amidst flint hedges and yellow gladioli, and it leads to a little pastoral reflection. Says Hepburn: "First God made England, Ireland and Scotland. That's when...
...with an older woman, and my ardor for her has remained constant, if unrequited. As Tracy Lord, a spoiled Main Line Socialite who is humanized by the forces of drink. Jimmy Stewart and Cary Grant, Katerine Hepburn turns in one of the most wonderful performances of her career. George Cukor skillfully directed this film version of the modern Midsummer Night's Dream that saved the National Theater Guild from bankruptcy. Grant is perfect in his Oberon role, masterfully elliptical and indirect. Ditto Jimmy Steward as the ingeneuous Bottom character. The supporting cast also turns in a series of virtuoso performances...